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At turns hilarious, scathing, and sweet, Gentefied follows in the tradition of shows like One Day at a Time, Jane the Virgin, and Vida as a series with undeniable heart.
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The family drama and central characters are compelling enough, but “Gentefied” really struts its stuff in two bottle episodes. These standalone episodes are a remnant of the web series, which told each episode through the eyes of seven different characters.
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A bold, beautiful show about people trying to play a game in which they don't make the rules.
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“Gentefied” has a lot to say, and it can turn didactic in its urge to say all of it. But the show’s likability carries it through its rougher patches. This series puts a lot on its plate, and somehow, it all comes together.
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Pleasant enough and will only get better once it starts building out its own world.
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Once the series gets past some of its blunter instincts, it reveals some real nuance. While the stories of Ana, Eric, and Chris develop in interesting ways over the season’s 10 episodes, the most compelling storyline belongs to their grandfather and the intergenerational conflicts over Boyle Heights’ rapid gentrification.
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Gentefied is a smart, warm-hearted show. And because it arrives at a time when TV is already home to Vida, One Day at a Time (which Pop TV rescued after Netflix canceled it), Los Espookys, On My Block, Alternatino with Arturo Castro, and more, it doesn’t have to function as a grand unified Latinx field theory. It can just tell its stories, and tell them well.
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Of the many series about immigration, gentrification and cross-cultural identities that have sprung up in the past several years, Gentefied is among the most astute. It only needs to trust that its cast will convey everything that’s left unsaid—and that viewers will read between the subtitles.
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At its best when pairing these weighty considerations with community-specific humor instead of leaning too heavily into its stated mission to teach audiences about a complicated social phenomenon. While direct references to the current political climate and scenes of protest against “colonizers” can feel clichéd, quieter reflections resonate because of their emphasis on the connections between characters.
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The interclass, intergenerational tensions quickly boil over in the first two episodes before being reduced to a simmer for much of the rest of the season. Gentefied then moves into slice-of-life portraiture, fleshing out the cousins’ backstories and offering insight into patrons. ... This expansion provides some sweet and funny moments, though it takes far too long to take Ana’s mom Beatriz (Laura Patalano, also from the original series) from one-note harridan to multi-faceted human being.
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By the end of the season, the class and racial anxieties that the series explores get too neatly, and unconvincingly, assuaged. In taking up pressing, contemporary issues, Gentefied could fiercely challenge its audience on its core assumptions. It merely comforts.
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