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Critic Reviews
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Unlike The X-Files, Fringe has a sense of humor that cuts through its gloom. Credit Jackson for his raised-eyebrow dubiousness whenever things threaten to turn absurdly weird, and Noble for making his brilliant acid casualty a poignant, eager-to-please man, constantly sifting through his prodigious brain to locate the truth from fragmented memories.
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Not every shift works; a newly added agent seems just as expendable as poor, underused Charlie (Kirk Acevedo). But there's a great final twist that more than compensates, and it solidifies the overall impression that a series that was once too far on the conspiracy fringe has settled into an enjoyable weekly sci-fi adventure.
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Fortunately, someone finally grabs hold of the wheel and steers it back to where it belongs, as one of the great character dramas of contemporary television.
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If Fringe‘s writers--Abrams, Roberto Orci, and Alex Kurtzman--sustain the sharp wit and swift plotting they managed in this summer’s Star Trek prequel, they might maintain the series' high-speed, oddball unpredictability.
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The Season 2 premiere of the genre-tinged drama Fringe is almost the polar opposite of its bombastic Season 1 premiere, and that’s a very good thing.
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While not as mind-blowing as the last season's finale (which had me finally buying into the show after a season on the fence), does a good enough job continuing to run with the parallel-universe scenario established toward the end of season one.
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After starting slow in the Nielsen race early on last year and then finding its footing, Fringe should settle in nicely.
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Fringe returns in fine form for its second season.
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As the season progresses, it is very possible that Fringe will find its footing. But right now there is far too much padding in the form of substandard plotlines.
Awards & Rankings
User score distribution:
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Positive: 219 out of 242
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Mixed: 5 out of 242
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Negative: 18 out of 242
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Oct 18, 2010
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WilC.Sep 25, 2009An amazing sci-fi show that is so much better than 90% of the crap on tv today.
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Mar 6, 2014