User Score
6.3

Generally favorable reviews- based on 38 Ratings

User score distribution:
  1. Positive: 26 out of 38
  2. Negative: 9 out of 38
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User Reviews

  1. Sep 17, 2018
    2
    The premise, in paper, is rather good. But the writing, the direction and everything else is soooooo slow that it really becomes a chore. In the end, it's just a missed opportunity and not worth your time.
  2. Oct 3, 2018
    3
    This short, 8-ep series is about the "tyranny of the routine", the rut, and feeling trapped or locked into it, especially vis-a-vis married life. Fred and Maya plays these roles so naturally. However, it's really focused on the women of the series, the men are secondary, so chick-series - I'm grading as a dude, so it'll be low, but chicks would likely grade higher. It's very difficult toThis short, 8-ep series is about the "tyranny of the routine", the rut, and feeling trapped or locked into it, especially vis-a-vis married life. Fred and Maya plays these roles so naturally. However, it's really focused on the women of the series, the men are secondary, so chick-series - I'm grading as a dude, so it'll be low, but chicks would likely grade higher. It's very difficult to review this with any substance without some spoilers. The spoilers I'm describing happen in the first two eps so you're going to find out quickly anyway.
    *** Light Spoilers follow***
    By ep's two end they're both dead, but they're not in heaven or hell, still here on earth though out of phase. And inconsistent with being dead, they still hunger, thirst, emote, curse alot, sex it up, cook, walk everywhere, but they apparently don't drive, have tv or radio - weirdly incongruent. You've seen this done before - it's lazy storytelling but costs nothing financially to make - there's very little VFX. Though it makes no sense, yet it's a recurring Hollywood trope, our dead protagonists ("formers") can see "currents" but not vice versa. They have juvenile fun "haunting" them and parasitizing energy from them but all that's a dumb distraction from its love story. Remember, chick-series. The final scene provides a very weak hook for a second season unlikely as that is. Just for fun, be sure to count the number of times someone mentions "forever", I counted only three, two were in the season finale.
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Metascore
77

Generally favorable reviews - based on 20 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 20
  2. Negative: 0 out of 20
  1. Reviewed by: Ian Croch
    Sep 20, 2018
    80
    The plot of Forever gets twisty, and is best left unspoiled. Yet the show’s narrative is in some ways less important than its themes, which are explored in funny and precise minor moments.
  2. Reviewed by: Sophie Gilbert
    Sep 18, 2018
    70
    Ultimately, Yang and Hubbard saturate Forever with a distinctive style and a mood that papers over some of its weaknesses, if not all of them. Beyond the surprises, it’s not quite the institutional marital autopsy of Madame Bovary or A Doll’s House, and it isn’t always quirkily diverting enough to fill in the gaps. Its ending, though--perhaps the most unexpected thing of all--makes up for a lot. For eight episodes, Forever has felt cynical about love, ungrateful even, but in its conclusion it shows a glimpse of its beating heart.
  3. Reviewed by: Willa Paskin
    Sep 17, 2018
    40
    Despite Rudolph and Armisen’s tremendous comic talents, their characters aren’t even particularly funny. Indeed, there’s something false about Oscar and June’s dynamic, the love story at the very center of the show. They fill hours debating questions like, What’s the all-time best way to sit? It’s supposed to be cute, a kind of laborious in-joke, but it’s mannered, like the behavior of people in a new, fragile relationship.