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CRITIC SCORE DISTRIBUTION | ||
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Positive:
48
Mixed:
16
Negative:
0
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Critic Reviews
TV Guide MagazineFeb 25, 2021
Season 2 Review:
Thankfully, we're in good company even when grounded in tedious soap opera. [1-14 Mar 2021, p.9]
The GuardianDec 3, 2019
Season 1 Review:
While the rousing speeches don’t really rouse, the production design is a handsome distraction and even though it might not exactly leap off the screen, Moore’s storytelling is relatively well-honed, meaning that it’s never less than watchable. ... A solidly, blandly entertaining drama that will be no one’s favourite of the year while also avoiding being anyone’s worst.
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Season 1 Review:
There [are] moments where For All Mankind lives up to the show it could be. And it could still become that show; even in the moments where I found myself annoyed by the lack of snap and fizz, I was still curious about where it was going. Its small tastes of an alternate timeline are intriguing.
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Season 1 Review:
Moore and company are clearly NASA nerds on a level that surpasses even mine, so it’s not hard to understand why they might want to take a similarly slow-and-steady approach, filling in every key detail along the way that explains how and why their universe is different from our own. But the differences are where For All Mankind is strongest. The sooner the series emphasizes them, the better.
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ColliderOct 28, 2019
Season 1 Review:
While the series initial struggles with some expository explanations and divergent subplots, it picks up steam once it finds its focus. Especially in the back half of the season, where the characters and their overlapping arcs start to come to life and the series finally veers towards some intriguing (albeit understated) sci-fi leaps to match the socio-political inventions of its alt-history.
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Season 1 Review:
You'll find some urgency as episodes wrap, but not a lot. And there's no doubt that the world For All Mankind wants to build is populated with an almost staggering number of people, each getting bits of story, but outside of the women-going-to-space idea, not a lot of it is particularly interesting.
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Season 5 Review:
In its early run, FAM managed to intertwine its ambitious ideas and scope with the nitty-gritty of character development and relationships. Unfortunately, it slowly started to lose its grip on this. Season four, which was about how capitalism has ruined Mars, turned a little too soapy, with not as much concern for thrilling galactic adventures. Season five begins on a similar note.
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Season 1 Review:
Things do get mildly more interesting when women are invited to join the space program. ... But where “For All of Mankind” loses itself a bit is in how it unpacks its characters; there’s a lot of pulling back, but not a lot of pushing forward. This results in a pace that is simultaneously plodding and sprawling.
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RogerEbert.comOct 30, 2019
Season 1 Review:
The series firmly and ambitiously casts America as second-best, and wonders how that would make us feel. These are the starting moments for the series, co-created by Matt Wolpert, Ben Nedivi and Ronald D. Moore, who toy with time and history in a manner that’s more contemplative than it is wholly entertaining.
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Season 1 Review:
If you’re intrigued by that premise—and neither exhausted by ‘60s period pieces where brilliant, flawed men brood as brilliant, perfect women endure retro sexism, nor put off by frequent scenes of mission control guys frantically mashing buttons—For All Mankind is going to be your show. If not, there’s little else to see here.
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IndieWireOct 28, 2019
Season 1 Review:
It takes a few episodes to break free from rehashes of well-worn stories: unfaithful and distant spouses, unruly kids, interfamily envy. Every character on this show is saddled with an initial, perfunctory purpose. It’s only with the benefit of hours spent with them that more dynamic parts of their corner of this galactic web get to emerge — and that’s too long to wait.
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