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CRITIC SCORE DISTRIBUTION | ||
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Positive:
6
Mixed:
7
Negative:
0
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Critic Reviews
Feb 21, 2019
Season 1 Review:
Ultimately, Flack believes that we’re concerned with the characters’ personal lives, but mines very little compelling material from the subject, while it focuses less attention on their professional dynamic, which is its foremost strength. Still, it’s worth saying: Paquin, Okonedo, and Wilson are a powerful trio, and they might succeed in reshaping Flack’s narrative yet.
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Feb 20, 2019
Season 1 Review:
Flack can't explain what these publicists do or why they do it. The better material in Flack is based on character interactions and the cast. Paquin can't do anything about how predictable Robyn's self-destructive tendencies immediately become, but she delivers Lansley's dialogue well and has good chemistry with both Wilson, enjoyably smiling her way through some peak cattiness, and especially Angelson, saddled with the worst of the show's "Dear Lord are we doing this exact character again?" archetypes.
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Feb 21, 2019
Season 1 Review:
The professional challenges that Robyn faces are often plausible, and far more compelling than their resolutions, which are mostly stupid. Flack has little to say about celebrity culture with its stories of contrived sex tapes, hushed-up face-lifts, sham marriages, and bogus redemption narratives. ... The show gets somewhat less uninteresting around the fifth episode, which is set in the business-class cabin of a transatlantic flight and proves an intriguingly creepy role for Bradley Whitford.
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