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CRITIC SCORE DISTRIBUTION | ||
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Positive:
37
Mixed:
34
Negative:
2
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Critic Reviews
Season 3 Review:
“Euphoria” is never not entertaining. Over the years, Levinson has proven capable of crafting an engaging spectacle in his sleep. (Even “The Idol,” his disastrous collaboration with The Weeknd, demanded attention, if not approval.) There’s just a disjointedness to the various elements of Season 3 that this new incarnation of “Euphoria” has yet to overcome.
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Season 2 Review:
The second season still prods at taboo, but it inevitably does so with less of the special surprise of Season 1. In anticipation of that diminished shock, the writers attempt to find other avenues of discovery, turning away slightly from hard-nosed depravity in search of humanity. They find it, here and there, but there is something shaggy about the process.
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Season 2 Review:
Levinson’s capable of making that ever-so-slightly comic and relaxed version of the show whenever he wants to. He just doesn’t seem interested in it. ... Euphoria is great enough often enough to excuse at least some of its bad behavior — even if the show also takes after Cassie, who admits at one point, “I keep making mistakes and not learning from them.”
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Season 1 Review:
In its best moments, it’s a thoughtful, open-hearted story about teenagers trying to navigate life as the first fully-online generation, test subjects in an unfettered landscape of dick pics, adult predators, and synthetic hallucinogens. But it’s also the kind of drama so relentlessly provocative—images of erect penises crop up with the persistence and frequency of weeds in springtime—that it prompts a question: Who is this supposed to be for?
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Season 1 Review:
Beautifully shot, artfully composed, nevertheless unsettling and needlessly cruel. To really get the show, one must shed any notion that a teenager can be happy or satisfied — even in moments of chemical or sexual ecstasy. The show defies any notion that stories are something that build toward a moral or a theme or even a central idea. ... The narrative never coheres because it’s not really supposed to. Alluring yes, but far from great television.
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Season 1 Review:
It succeeds at sucking the viewer into its vibe and at building some genuine suspense about how certain story lines will play out. Zendaya is also exceptional as Rue, the glue that holds this sprawling ensemble piece together. But I can’t say for certain that I fully like it, either, because it’s gratuitous for reasons that don’t always seem necessary.
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Uncle BarkyJun 13, 2019
Season 1 Review:
The performances, particularly by Zendaya, Schaefer and Ferreira -- are not the problem. But getting “real” doesn’t have to mean diving head first into a cesspool of drugs, profanity, promiscuity and a borderline indifference to it all. That’s where Euphoria so far fails not only itself, but the many impressionable youth that likely will be the series’ core audience.
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Season 1 Review:
It’s a credit to both actors [Zendaya and Hunter Schafer] that the characters’ relationship feels so pure; I only wish we got less of diffident Rue’s solitary wanderings and more of the girls together. ... Though its heroine is informed by Levinson’s youth, Euphoria’s nihilism feels as contrived as a Burger King ad.
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LooperApr 13, 2026
Season 3 Review:
Season 3 of "Euphoria" is at its best as a pulpy, cartoonish approximation of the way early adulthood is an endless maze of coveting the seemingly enviable lives of your peers, unable to see through the strained charades they perform. .... But where the show used to seem too mature and provocative for a soap opera about teenagers, it now feels much too childish for a crime drama about adults. Time will tell if Levinson is able to strike a better balance with the remaining episodes, but from what we've seen so far, it doesn't feel particularly likely.
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RogerEbert.comApr 8, 2026
Season 3 Review:
Only time will tell if Levinson and company can turn what is essentially just the setup for the season into a payoff that feels deeper and more focused. Or if it will be content to reflect the uncertainty of its characters through storytelling that can feel maddeningly uncertain itself.
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Season 2 Review:
Despite Zendaya's attention-getting, award-winning presence, the HBO series remains so unrelentingly bleak and nihilistic that it's overly defined by how far series creator Sam Levinson will push standards in terms of nudity, sex and drug use. (Answer: Pretty far indeed.)
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Season 1 Review:
Rue and Jules’s relationship is the jewel of “Euphoria.” I’ll keep watching because I desperately want to protect them. Otherwise, the show so far (I’ve seen four episodes) is a highly self-conscious study of ennui, overfull with fancy camera tricks and thousand-dollar designer getups.
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Season 1 Review:
The results sometimes engaging, often frustrating. ... He oscillates distractingly among tones and styles, jumping between dark-comic satire and earnest melodrama. The juggling of plot lines results in scenes continually being cut off before they develop momentum. It’s too bad, because scene by scene, piece by piece, there are things to like.
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Season 1 Review:
Because "Euphoria" is so shrewdly conceived, and often so visually and sonically striking, it's easy to overlook the fact that there's no organizing principle. Characters are introduced, then dropped. Scenes begin, then meander, then end. Segues, at least here, are for suckers. You have entered the mind of a teenager.
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Season 3 Review:
You’d think that these events would have prompted some serious introspection on the part of the characters, but as we revisit them in the first few episodes of Season 3, it’s clear everyone has reverted to their factory settings. The difference is that, as they fan out on separate quests, each storyline comes slathered in the tropes of its own familiar genre.
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Season 3 Review:
He has a stacked cast perfectly capable of taking these characters, battle scars and all, to the next level. But based on the three episodes of eight provided for review, it looks like he’s squandering the stars that aligned their busy schedules for this on repurposed old habits from the past.
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The GuardianJan 10, 2022
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