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Granted, there’s not a whole lot about that approach to prompt wild enthusiasm, but to those looking for a modest diversion, Preston is good company, and the writing is intermittently clever. Besides, the irrepressible Elsbeth has enough enthusiasm for all of us.
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It’s clearly not intended to be anything like The Good Wife or The Good Fight. But it’s not charming enough to be the playful homage to the unsophisticated detective shows of yesteryear that it wants to be either. The most that can be said for it is that Elsbeth as a main character is about 50% less infuriating than she used to be.