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CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
5
Negative:
0
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Critic Reviews
The PlaylistMar 4, 2026
Season 1 Review:
As much as “DTF St. Louis” suggests that loneliness and the absence of healthy, rewarding male friendships are a pox on American men, the show likewise critiques paths that lead them to damnation: social media apps that crater one’s confidence with arguably greater efficacy than fulfilling the “social” part of the label.
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Season 1 Review:
“DTF St. Louis” isn’t exactly cringe comedy, but it is idiosyncratic enough that I expect some will find the show a tough sell; it certainly took me a few episodes to acclimate to Conrad’s stilted, precisely crafted world. That the performances are all so calibrated to each other’s wavelengths, if not a bewildered viewer’s, is an indication that “DTF St. Louis” is achieving its own goals, however inscrutable they are to an outsider.
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The GuardianMar 2, 2026
Season 1 Review:
Somewhere along the way, the show’s cringe comedy gives way to sincerity and our pity evolves into genuine empathy. And the longer we spend with this group of goofy, hopeless characters, the more grateful we are that we didn’t give in to that initial impulse to swipe left.
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Season 1 Review:
A strange, surreal, surpassingly dark addition to Bateman’s œuvre. He’s cast well in the show—I can’t imagine it working without his presence, reeking of ennui and buried impulses. .... Clark Forrest, a local celebrity owing to his job, is like an updated, puzzlingly childlike Cheeverian confection.
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Season 1 Review:
If it were solely a series about sex, the tender yet confounding “DTF St. Louis” would be one cool piece of work. .... Usually, one would have a pretty solid idea of where things were headed after watching more than half a series. Yet “DTF St. Louis” is so emotionally elusive I’m less confident than usual in my clairvoyance.
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