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CRITIC SCORE DISTRIBUTION | ||
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Positive:
126
Mixed:
14
Negative:
1
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Critic Reviews
Season 4 Review:
It continues to be to Fellowes’s credit that he manages to write for such a large number and wide array of characters and yet makes viewers know and care about each one. None is purely hissable nor heroic, intentions are murky, and impulsive choices have major consequences, keeping the enjoyable soap at full lather.
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Season 1 Review:
This extraordinary upstairs-downstairs drama, written by Oscar-winning "Gosford Park" screenwriter Julian Fellowes, is a dramatic, intelligent, soapy, comic, and wise piece of work, one that explores social shifts on the eve of World War I while delivering a remarkably engaging cast of characters.
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Season 6 Review:
[These] episodes find the celebrated series running true to form. That means an occasional misstep, to be sure – too much time inexplicably spent with one of the blander characters or a less-than-intriguing subplot. But, for the most part, it means elegant storytelling that richly blends social commentary, comedy, soap opera, romance, intrigue, tragedy, melodrama and razor-sharp satire.
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Season 1 Review:
If some plot elements in the third season seemed forced (and they did), then Fellowes seems to have completely regained his balance in the fourth season. And that balance means expertly bouncing between the upstairs and downstairs worlds of Downton, letting the plot turns flow naturally, carrying us along joyously for the posh ride.
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Season 6 Review:
While it's wonderful to be reacquainted with the various charming characters for the sixth and final season, the series' essential problems remain: A lack of subtlety as plot turns are signaled and then underscored; a tendency to keep certain characters stuck in one emotional state for prolonged periods--how much more angst can Anna and Bates (Joanne Froggatt and Brendan Coyle) telegraph again and again?, and a reliance on our allegiance to certain actors.
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Season 1 Review:
Now, I wouldn't say I loved it. Parts of it I didn't even like. I became quite engaged with what was going on downstairs with the servants, while I found virtually everything having to do with the Granthams (at least the parts unrelated to how they dealt with the staff) a chore to get through.
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Season 4 Review:
Showrunner Julian Fellowes knew he had to spice things up, apparently, so he employed a lazy, “shocking” plot device that will leave fans sickened, indignant and wondering why Fellowes just didn’t give his beloved characters something worthwhile to do instead. That offensive event aside, this season’s repetitive tropes, recycled conflicts and predictable heartbreak are not worth the trouble this time around.
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Season 3 Review:
The melodrama is deliciously engrossing and occasionally wrenching--two episodes in the middle of season three may empty local Rite-Aids of Kleenex--but in the end, it's a light series: "light" as in the opposite of dark, not insubstantial; warm, hopeful, inspiring.
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Season 1 Review:
It's quibbling to say that it feels at times as if Downton Abbey had been custom-designed for those of us for whom period romance is mother's milk, studded as it is with plucky heroines, accidental heirs and scheming dowagers, with just enough history thrown in to make the melodrama seem highbrow. It's not, really, though. It's simply delicious fun.
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Season 3 Review:
On the one hand, our love of the characters makes it more than possible to overlook the sloppiness of the scripts. On the other, though, it's because we do know these characters so well that we notice the inconsistencies in the first place. Again, none of this detracts significantly from our enjoyment of the series.
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Season 1 Review:
For every Mrs. Patmore, the cook who wants nothing more than to stay in service the remainder of her life, there is a housemaid such as Gwen (Rose Leslie), who dreams of becoming a secretary in a modern office. It's these dichotomies, and the way they exist within both the Abbey itself (half the rooms have electricity and half don't) and its multifaceted inhabitants that make Downton Abbey not only the best soap opera currently on television, but one of the most relevant as well.
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Season 5 Review:
If Seasons 1 through 4 have bored or baffled or just annoyed you, Season 5 won't win you over. If, on the other hand, you greet the return of Downton with unabashed affection, as I admittedly do, you won't be disappointed, even if some of the storylines feel like reruns, or even when you want to grab a character by the shoulders and shake him or her.
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Season 4 Review:
While Downton Abbey has been stuck in the same basic theme of “tradition versus progress” for four seasons now, the closer it inches toward modernity, the more dynamic its basic setting of becomes, and there are moments in season four—particularly late in the season—when this version of the show shines through.
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Season 6 Review:
Devoted and casual fans of the series alike will doubtless enjoy the gentle winding up of stories that have progressed over so many years, with new beaus for Mary and Edith introduced at the end of last season, an increasing degree of liberation for the servants, and even a glimpse of happiness for the tragedy-ridden Bateses. Meanwhile Downton’s villains, always cartoonish, remain so.
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The Daily BeastJan 5, 2015
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