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The results can be a little fuzzy and tepid, as in the “Salesman” parody--the original, a poetic evocation of loneliness and failure, doesn’t lend itself so well to caricature. More successful are broader exercises in which the strategy is to recast the original along baser, more ridiculous lines.
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Can great art be fun, intelligent, and non-indulgent all at once? Documentary Now makes a solid case that it could very well be a comedy series that fits that bill, but the series’ ambitions remain just a bit too hit-and-miss to fully realize that promise.
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