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Critic Reviews
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Its scripts - always among the finest on TV - are even stronger this time around.
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The language, the acting, the themes - everything in "Deadwood" is good as gold. In TV entertainment terms, maybe even better.
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Milch's darkly hilarious exploration of the American frontier spirit is back for a third season of twisted human conniving.
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This series is one of a kind.
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To call "Deadwood" great television doesn't begin to do it justice.
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Milch has a keen eye for his actors' untapped resources--he doesn't so much cast against physical types as he does psychological ones--and this is what makes Deadwood's expansive ensemble so continually exciting to watch.
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A gorgeously living thing.
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Every scene teems with an enthralling, fully realized vision of life, the kind of jostling pageant of humanity in the most satisfying works of Dickens or Trollope.
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The series returns with its creative six-shooters blazing, its florid language and baroque manner of storytelling still gloriously riveting.
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For all the artificiality of the language, there has seldom been a show that felt more authentic.
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Like last season, the plots are thick and quick-flying. (Also like last season, the abstruseness can sometimes feel showy.)
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The circuitous plot is challenging, but the true glory of Deadwood is in its vivid creation of a volatile world where scoundrels, wretches and tormented heroes coexist in an unvarnished time capsule of Wild West history.
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"Deadwood" remains a series like none other.
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The third season, as much as the two preceding ones, continues to breathe new life and vigor into the Western genre. What's more, the actors have become so comfortable in the skins of their characters, we can now appreciate the complexity of their personalities and desires.
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The dialogue is "Deadwood's" calling card, with its mixture of gutter and Elizabethan grace. It layers Milch's broader, working theme -- the coming-together of various organisms to create a single, functioning one.
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[A] fascinating, challenging series.
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As it lurches to its conclusion, the politics of "Deadwood" keep growing more dense and colorful, and that magnificent obsession crowds out other primal forces.
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What makes Deadwood so fascinating is not the action we put up with; it’s the language we listen to.
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It's worth hopping on this poetic, profane story of frontier money lust before it rides into the sunset.
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Yes, "Deadwood" was incomprehensible last season. It is incomprehensible this season. Fans will be delighted.
Awards & Rankings
User score distribution:
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Positive: 212 out of 233
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Mixed: 9 out of 233
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Negative: 12 out of 233
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Oct 14, 2010
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JenBSep 20, 2006
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Sep 11, 2012