Dark Matter, plenty of pizazz with none of the chutzpah.
Why?! Why?! I really REALLY want to like this show, I tried, but you had to make it so hard! So hard! Why?!
First of all, I don't think calling this show cliche quite fits the bill. Though it's obliviously trying to replicate Star Trek, Firefly, and maybe even Battlestar Galactica as a trendy epic. Nice try! Sucks, youDark Matter, plenty of pizazz with none of the chutzpah.
Why?! Why?! I really REALLY want to like this show, I tried, but you had to make it so hard! So hard! Why?!
First of all, I don't think calling this show cliche quite fits the bill. Though it's obliviously trying to replicate Star Trek, Firefly, and maybe even Battlestar Galactica as a trendy epic. Nice try! Sucks, you lose! Could have seen past all that but there's quite a few weaknesses sucking up all the... what's the word?
Let me explain something to you writers and directors... NOBODY cares about a team of space adventurers in a space ship unless you FEEL like you're part of the crew. If it's not for the unsettling acting that goes with every scene, it's the direction that doesn't know how to film a bloody scene. How many opportunities can you miss to convey an emotion to the viewer? You let them walk in , hold a shot, deliver lines... what was that? obviously there's suspicion but you can still show the view, the story observer what else is being said. It's called body language. Something none of these characters have. I can't believe anybody, well, I could if they had some chutzpah!
I really like the concept if they could have just taken into account a little more understanding of the story. I can watch Dark Matter and get so annoyed because I admit to myself "I could have done it better". It's that feeling like I see what was supposed to happen there and... flop, bad timing, no connection, and One is a total **** oh god I want to rip his head off and through into space! At times it felt as if things, the awkward stances and line belting, were about to lift and like a ship leaving the station things were gonna get better. Awwwwwww and then CRASH you just couldn't fly the sucker!
Actors are actors and I believe a good director can use even the most mediocre one and make a good scene. But in this case, holy mother, there are two outstanding misplaced boys on this ship, and that's Six and One. I mean, they are ALL mediocre just because they don't know what else to do but be actors. Honestly I think half the crew are bad ass, or at least could have been. Even if Anthony Lemke's Three is a direct rip-off of Jayne, I wouldn't care. Every ship need's their muscle, whatever.
Alex Mallari Jr. is a bad ass, I don't care what anyone says.
Melissa O'Neil has nothing to do but give orders with a flair of the dramatic walkaway with (please stop the big dramatic speech, walk out of the room crap) waving her ass like the pirate ship ride at the fairgrounds, but I don't care, whatever.
Jodelle Ferland is cool, though an obvious mod combination of both Kaylee and River of Serenity (gotta have the funky one), and I think she does a fine job with what she's got, I don't care, whatever.
The Android. More robots learning emotion. I Don't CARE WHATEVER.
All these things were in the "let it slide" zone but...
Roger R. Cross. I like him, but unfortunately he hit's the **** list because although in a scene or two he eloquently shows his caring and nurturing side of himself with some tangible feeling, he is absolutely unable to carry on a sense that he was ever a bad-ass, and nothing more than a big soft teddy bear.
And now for the bane of it all, One. Yes, Mr. Marc Bendavid. I mean that pubescent, tin-man, toddler trying to meander around in big people clothes. If I could stick him in an airlock for every line that comes out of his doe-like expressions of terrible execution he would need quite a lot of clones... Even his "original face" actor was way better! I could tell he should of gotten the role. LOL! I thought Three might actually kill him, but things took a turn for the worst, and now they seem like they're getting along, which means more empty space for Anthony Lemke to fill with his rapscallion-like front on and on.
The concept of this series is based on a Dark Horse comic. I think the story would pan out to be spectacular and it really could've been an amazing sci-fi show, but you just can't throw a bunch of people in space suits and call it Dark Macaroni. Too bad... The background of it all definitely had some coolness of the space trek genre.
If you haven't seen this yet and you're a sci-fi fan, get ready to watch the entire thing cus you need it to fill the sci-fi void, while wishing to throw cans at the TV periodically, because the same people who brought it to you managed to take it away at the same time.… Expand