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CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
7
Negative:
0
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Critic Reviews
Season 1 Review:
[Law & Order] combined satisfying stand-alone storytelling with interesting character arcs, the television equivalent of comfort food. Criminal scratches that itch, but also brings with it some important innovations and tweaks that elevate it into a truly interesting narrative experiment.
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The IndependentJan 3, 2020
Season 1 Review:
Criminal uses its small canvas to ask big questions. The focus on these intricate dances means that after a while we begin to question the idea of objective truth, as well as the facts at hand. I have no idea if it is a realistic depiction of detective work, but it makes for gripping drama.
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The TelegraphJan 3, 2020
Season 1 Review:
Attempts to create a running thread by fleshing out the police team’s relationships – office politics, post-work socialising, workplace affairs, unrequited crushes and competitive jostling to advance their careers – fall a little flat. You find yourself impatient to get back to the main battle of wits. Despite such flaws, though, Criminal grips, beguiles and keeps you guessing.
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The GuardianDec 3, 2019
Season 1 Review:
Every episode is a spare, precision-engineered hour without a wasted shot or beat. If it feels occasionally just slightly too slick or the writing slightly too clever, these are very much forgivable flaws. Overall it feels like Law & Order: Terence Rattigan Unit and I love it, even if I never thought I’d see the day.
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IndieWireSep 16, 2020
Season 2 Review:
From his lengthy opening monologue through his emotional final scene, Harington is the addition to this season’s cast that’s giving a performance that seems more suited to the rhythms of the stage. The remaining three find better ways in Season 2 to take full advantage of the subtleties that Jim Field Smith’s direction can afford.
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