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Critic Reviews
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Gritty, jarring, profane and smartly produced.
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Thanks to the fact that Starz is pay cable and can say and show pretty much whatever it wants, this show ramps up the dramatic tension quickly and effectively.
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The show, the first original drama series made for Starz, is hardly the most original depiction of Los Angeles, but Crash has a noirish appeal, and ambitions to tell a big story.
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I’ll come back to Crash the TV show, but for now, the acting doesn’t exactly induce gaper’s block.
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Crash doesn't burn so much as it simmers. It's provocative and intriguing, but leaves you wondering if the whole setup might not simply work better as a movie.
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Not surprisingly, Crash, the TV series, does not measure up very well against the film in terms of atmosphere and acting.
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The show clearly wants to say something complicated about race and class in Los Angeles, but a number of the situations and characters on the show feel like situations and people we’ve seen before (starting with the movie that lends the series its name).
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It's an hour of unpleasant yet bland people occasionally bumping into each other and saying racially provocative things.
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They're a largely unlikable lot of crooked cops, adulterers and Hopper's long-winded, nutso music mogul. It's one thing to spend a movie with these characters, but it's quite another to tune in for 13 weeks.
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At once schematic and preachy, it never indicates the stakes--either for its “diverse” players or for you.
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Although slickly made with a nod to noir between sermonettes, Crash features far too much Dennis Hopper as a drug-addled music producer.
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The racial fire is oddly muted, the characters disturbingly undefined, the interaction frustratingly nondescript. The truth is, I'm not really sure what this show is supposed to be other than chaotic and boorish
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A series that's as lead-footed as the original. But much, much longer.
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Crash tries too hard, and fails hard too.
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The new drama Crash struggles mightily to appear slick and sophisticated and special, but the whole elaborate mess is just as leaden and obvious as the Oscar-winning movie upon which it's based.
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The film's episodic, interwoven tales of race relations in L.A. become a swampy mess of ludicrous dialogue, disconnected characters, and offensively stupid plotting.
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Sure, it's got some ethically challenged cops, some overt racism, some faux hot sex and what looks to be a lot of money spent on filming on the streets of Los Angeles, but the writing is surprisingly nondescript, the acting rudimentary and the first hour ends with nothing much in the way of movement.
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Messy at best, the two-episode premiere suffers from wildly uneven performances, beginning with Dennis Hopper at his manic worst.
Awards & Rankings
User score distribution:
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Positive: 13 out of 20
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Mixed: 0 out of 20
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Negative: 7 out of 20
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Aug 28, 2012
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DaveLApr 17, 2009
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Hanks.Mar 9, 2009