• Network: HBO Max
  • Series Premiere Date: Jul 9, 2020
Season #: 3, 2, 1
User Score
7.6

Generally favorable reviews- based on 13 Ratings

User score distribution:
  1. Positive: 10 out of 13
  2. Negative: 1 out of 13
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User Reviews

  1. Jul 11, 2020
    5
    Nah. Not.bad, but I found the characters to be a bit nerfy and woke for me. Loved Regular Show and Flapjack, bit I barely made it through the first episode. If these are Millenial parents , were **** Looks like Regular Show, which is where all the stars went, but not near as compelling or good. I read one review that said it was RS bit with a point. The point of RS was to have funNah. Not.bad, but I found the characters to be a bit nerfy and woke for me. Loved Regular Show and Flapjack, bit I barely made it through the first episode. If these are Millenial parents , were **** Looks like Regular Show, which is where all the stars went, but not near as compelling or good. I read one review that said it was RS bit with a point. The point of RS was to have fun watching, not cringe at a bunch of vegans and man buns. Expand
Metascore
74

Generally favorable reviews - based on 6 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. Reviewed by: Robert Lloyd
    Jul 13, 2020
    80
    Quintel’s work has grown up a little too. Women play a larger part here than in “Regular Show,” which was mostly dudes hanging out. And much of what makes the series sing happens between Walsh and the ink-and-paint person she inhabits; indeed, Emily is the most developed, lifelike character here.
  2. Reviewed by: Kayla Cobb
    Jul 9, 2020
    80
    It’s very silly, very extreme, and very entertaining. But unlike Regular Show, Close Enough consistently channels its random energy and silly characters to make a bigger, more interesting point.
  3. Reviewed by: Dave Trumbore
    Jul 9, 2020
    75
    While I’m still waiting for Close Enough to do something a little different to separate itself from the pack and avoid being lost to the archives of forgotten animated sitcoms, it’s a fine watch in the meantime, especially for fans of Quintel’s work.