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What follows is a propulsive story that encompasses not only Annie Wilkes’ origins, but a haunted burial ground, the Battle of Mogadishu, reanimated corpses, and Tim Robbins growling through a sharp-cheddar Maine accent as Ace’s cancer-stricken father, Pop Merrill. ... Every revelation about the character feels both urgent and canon-correct. ... [Lizzy Caplan] does a remarkable job portraying Castle Rock’s reimagined Annie. Her performance is masterfully physical.
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This cast starts off strong as we get two competing narratives that quickly meld together in ways that only King and Castle Rock can pull off.
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The season two narrative of “Castle Rock” quickly affirms itself as its own story, a narrative about people running from their past, grabbing for things as they fall. And, once again, the team behind “Castle Rock” prove to be masterful with casting and performance.
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“Castle Rock” Season 2 hasn’t quite found the tour de force episode its predecessor did, but we’re still in the early goings. What’s here is still effective, affecting, and original — despite appearances. With more stories to tell, “Castle Rock” continues to prove there are many ways to tell them.
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The show is thoughtfully written by showrunners Sam Shaw and Dustin Thomason, who have a knack for character and an ear for Kingian dialogue, and the gifted cast gives it everything they have.
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Mythology-rich details may bewitch Stephen King superfans, but for the average viewer this is a lot of lumps to be stuffing into too-small Spanx. Even so — recall the warning about anthology series — there is just enough mystery afoot to keep the viewer interested. Caplan, is unsettlingly good as Annie, giving a performance that can be emotionally poignant in one scene and petrifying in another, turning on a dime in an instant.
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The clash between grounded psychological horror and bump-in-the-night monster mania delivers fewer shivers than shrugs of confusion. [28 Oct - 10 Nov 2019, p.9]
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Opting for more recognizable, overt King references hasn’t enriched the show’s storytelling so much as clarified the gap between the author’s best work and this TV imitation.
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I can't tell if the new season is over-reaching, under-reaching or if the Annie Wilkes of it all is just overshadowing the story to an unanticipated degree.
Awards & Rankings
User score distribution:
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Positive: 15 out of 21
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Mixed: 4 out of 21
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Negative: 2 out of 21
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Nov 16, 2019
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Jan 4, 2020
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Oct 25, 2019Season two builds tension much like the film "Misery" did, but it is surrounded by other content from King's work.