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CRITIC SCORE DISTRIBUTION | ||
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Positive:
28
Mixed:
15
Negative:
1
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Critic Reviews
ColliderJul 11, 2018
Season 1 Review:
Shaw, Thomason, Abrams & Co. really nail the core concepts of King’s storytelling here. Each character gets a good amount of screen time to focus on introspection. ... Castle Rock is a can’t-miss series for Stephen King fans and a must-watch horror show for fans of dark, thrilling, character-focused mysteries.
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Season 2 Review:
What follows is a propulsive story that encompasses not only Annie Wilkes’ origins, but a haunted burial ground, the Battle of Mogadishu, reanimated corpses, and Tim Robbins growling through a sharp-cheddar Maine accent as Ace’s cancer-stricken father, Pop Merrill. ... Every revelation about the character feels both urgent and canon-correct. ... [Lizzy Caplan] does a remarkable job portraying Castle Rock’s reimagined Annie. Her performance is masterfully physical.
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Season 1 Review:
Though most characters are new (Scott Glenn’s Alan Pangborn, a sheriff who appeared in Needful Things and The Dark Half, is one exception), for King fans the world of Castle Rock will be inescapably familiar. Spending time here feels, in many ways, like coming home--with all of the excitement and dread such a visit entails.
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RogerEbert.comOct 22, 2019
Season 1 Review:
King’s work is at its most frightening when its monsters are more familiar than abstract, reminiscent of the darkness we might encounter every day in others and in ourselves. Castle Rock manages to capture the fear that comes from recognizing that darkness, and as long as the show doesn’t get too preoccupied with the more conventional horrors lurking just offscreen, it may just become the scariest series on TV.
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The Daily BeastJul 11, 2018
IndieWireOct 23, 2019
Season 2 Review:
“Castle Rock” Season 2 hasn’t quite found the tour de force episode its predecessor did, but we’re still in the early goings. What’s here is still effective, affecting, and original — despite appearances. With more stories to tell, “Castle Rock” continues to prove there are many ways to tell them.
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Season 1 Review:
The early episodes are a little scattered, plot-wise, trying to juggle a multitude of narratives across several timelines, and it takes a while for the storytelling to find its footing. But the Henry Deaver and Skarsgård threads are strong throughout, and the more you learn about this town, the richer and more enthralling the story becomes.
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Season 2 Review:
Mythology-rich details may bewitch Stephen King superfans, but for the average viewer this is a lot of lumps to be stuffing into too-small Spanx. Even so — recall the warning about anthology series — there is just enough mystery afoot to keep the viewer interested. Caplan, is unsettlingly good as Annie, giving a performance that can be emotionally poignant in one scene and petrifying in another, turning on a dime in an instant.
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Season 1 Review:
Holland, Skarsgård and Noel Fisher (as a green but determined prison guard) anchor Castle Rock to a solidity that perhaps invites the view to pardon the wan efforts to flesh out other characters or allow us to truly care about them, and thereby fear for them, until the third hour.
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Season 1 Review:
There are definitely elements of hocus-pocus and holy cow in Castle Rock, as well as scenes of nicely disturbing violence. In other words, just what you both expect and want from a King-based product. What there isn’t, alas, is a lot of forward momentum. The storytelling is pretty logy, taking a long time to make a few points. ... The show has a strong cast. Spacek is superb as Henry’s stepmom. ... Handsomely gloomy, 10-episode project.
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Season 1 Review:
It’s probably not the best news to hard-core Stephen King fans that I like what I’ve seen of Castle Rock, the J.J. Abrams-produced Hulu series that’s set in one of the fictional Maine towns King has so creepily populated. Because I’m the kind of viewer who tends to like the TV adaptations of King’s stories right up until the moment the otherworldly horror really gets going.
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Season 1 Review:
The plot unfolds at such a leisurely pace that, despite strong performances from Spacek (as Henry’s sundowning mother Ruth) and others, the many winks to the official King catalog can’t help initially overwhelming this cover band version of it. ... The series has fully come into its own [by the seventh episode], and the King allusions turn into treats for those who recognize them rather than distracting reminders of classics this newcomer can’t hope to live up to.
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Season 1 Review:
Its puzzle-box plot is the Stephen King Mad Libs version of a straightforward mystery that, even in its most engrossing moments, lacks the pulpy imagination of the author's finest work. There are jump scares, and one sequence involving a children's game is disturbing, but even at its most frightening, Castle Rock is never surprising.
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