- Network: BBC America , ITV , INGTV
- Series Premiere Date: Mar 4, 2013
User Score
Universal acclaim- based on 322 Ratings
User score distribution:
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Positive: 280 out of 322
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Mixed: 13 out of 322
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Negative: 29 out of 322
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User Reviews
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Aug 17, 2013The show is melodrama (albeit with some good acting and some good camera work at times). The over-the-top moments aren't earned either, between the lead up to them, the music, the lines, acting and camera-- it's just a full-on TV-being-TV emotional blow out. I find those moments unbearable enough to write off the show.
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Oct 18, 2014
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Dec 30, 2013This review contains spoilers, click expand to view.
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Mar 23, 2014This review contains spoilers, click expand to view.
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Dec 20, 2013Seriously, where are all the high scoring coming from? People, have you seen The Killing or Broen/Bron? This one tries hard to be good and atmospheric but I could not for a second believe neither the feelings of characters nor the setting itself. Shallow! Very disappointed
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Aug 21, 2013
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Dec 26, 2013This review contains spoilers, click expand to view.
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Jan 2, 2015This review contains spoilers, click expand to view.
Awards & Rankings
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As a murder mystery, Broadchurch is satisfyingly complex (even if the accents may take some getting used to). As an exploration of grief it is even better, with Ms. Whittaker and Ms. Colman pointing the way. But in its long, slow unfolding Broadchurch is most magnificent in another sense--as an elegy for the happy innocence of ignorance.
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Broadchurch doesn't come with many stylistic flourishes--it's a pretty straightforward crime story. But the care given to its characters and the damage the crime inflicts on the town make it one of the best scripted series of the summer.
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Broadchurch excels at showing the awkward moments between the briskly delivered plot points, and the small details of voice and gesture that define communities in mourning (or guilty panic), and it has the good sense not to overdo anything.... And yet there's something fundamentally unsatisfying about the whole thing, as smart and intricately structured as it is--and it has nothing whatsoever to do with any writing or acting or filmmaking issues, and everything to do with the fact that we've just been to this particular narrative well too many times in 2013.