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CRITIC SCORE DISTRIBUTION | ||
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Positive:
75
Mixed:
40
Negative:
0
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Critic Reviews
Season 2 Review:
Season 2 proves that there's more than one Bridgerton worth rooting for, and considering future seasons will follow the romantic escapades of other siblings (artsy Benedict is up next), these new episodes pass an important test. "Bridgerton" wasn't just a one-hit wonder.
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Season 4 Review:
The true romantic highlight of Season 4 thus far is the burgeoning lust, yearning and flirtation Lady Violet shares with Lord Marcus Anderson (Daniel Francis). A limited series could be devoted solely to them. Meanwhile, Benedict and Sophie fade into the background, especially amid the bizarrely split season, which harms the show’s pacing and its central romantic tension.
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Season 3 Review:
In Season 3 Part 1, familiar faces are spotlighted, new and evolving friendships flourish and blossoming romances infuse an air of freshness into the show. The catalyst for all this change begins with the metamorphosis of Penelope Featherington (a stellar Nicola Coughlan).
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Season 2 Review:
But over the course of the season’s eight episodes running a solid hour-long each, this “Bridgerton” return too often feels like a luxurious carriage stuck in the mud, spinning its wheels before eventually heaving itself back on the road. ... The good news about Season 2, though, is that for as deliberately frustrating as the main love story becomes, the actors playing it are very, very good.
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Season 1 Review:
Daphne and Simon circle each other throughout the series with eyes equally wary and full of longing, which is great fun to watch unfold. But “Bridgerton” reveals its true strengths once it allows them to explicitly acknowledge what so many period romances of this ilk tend to dodge, namely that these characters don’t just want to marry: they want to have sex. ... “Bridgerton” demonstrates a keen and refreshing understanding of all the ways in which sex can complicate and enrich love — even, or maybe even especially, when its characters don’t.
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Season 1 Review:
Enjoyably rambunctious (if a tad overblown) period drama. ... Whenever the series starts to drag (and it does do that, with episodes that are often too long and subplots that dawdle around), the show cranks up some other aspect to keep viewers interested — the vivid costumes, the palatial surroundings, the name-that-tune recognition game when a chamber orchestra segues into classically arranged takes on modern hits (Billie Eilish, Ariana Grande).
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