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Critic Reviews
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Absorbing, if not squirm-worthy.
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Breakout Kings manages to compensate for its lack of creative ambition with some lively writing, good pacing and an off-kilter sense of humor. It is also blessed with a colorful cast of characters.
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It does not--repeat, not--take a con to catch a con. That is by now a very tired television cliche and one that's embraced by Kings. But the series overcomes this crutch to become a mostly interesting diversion from going to work five days a week.
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Just because a show is mix 'n' match doesn't mean it isn't any good. After four years with "Prison Break," creators Matt Olmstead and Nick Santora know their way around this world, and Breakout Kings starts out with a promising blend of character and plot, action and dialogue, sweet and savory.
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The series is sort of fun, more of a USA Network "Characters Welcome" kind of show than a hard-boiled thriller. [11 Mar 2011, p.72]
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If nothing else, Breakout Kings is a nice travelogue of the country's prisons. Here's hoping there's a juicy episode coming up for Stateville. But the gratuitous violence and creepiness will turn off a lot of viewers.
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Little of this stands up to close scrutiny, but there's a nice twist at the end of the pilot, and it looks as if every episode will begin with a fiendishly clever prison break by someone viewers might actually hope to see caught.
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Breakout Kings is better than "The Glades," another A&E scripted drama set in the world of law enforcement, but that's not saying a whole lot. Still, if future episodes are as good as the second episode (and better than the clunky pilot), it'll give fans of "White Collar" or "Leverage" something to watch until those shows come back.
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For a show that starts out with so much energy, Breakout Kings quickly settles into a procedural rut.
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Not a bad concept, but the casting is out of whack. [21 Mar 2011, p.46]
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There are no television breakthroughs in Breakout Kings, a pretty pat procedural that tries a little harder than some of its predecessors.
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Once you get past the idea that the bad guys are working for the good guys, it's a pretty by-the-numbers crime show.
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There's nothing particularly striking or compelling here. But at least the escapee of the week will meet his fate at the end of each episode.
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Breakout Kings is an uninspiring attempt by the producers and their network to be the last on the procedural match.
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Matt Olmstead and Nick Santora are two solid guys who know how to make good TV and Lombardozzi and Alonzo are superior actors. But there are only flashes of promise here.
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While the playful banter among cops and robbers thrown together on the same side has its moments, the characters aren't strong enough, initially, to set off any alarms.
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There's a bit of banter well-delivered and some artful action, yet Breakout Kings lacks a certain vim and chemistry required for a real breakout series.
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It's formula, and while there's obviously a ton of appetite for that kind of formula in primetime (see the roster of dramas on CBS, FOX, ABC, TNT...), it's not particularly well-executed formula, and it wastes the potential of the one part of the formula that's slightly unique.
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Breakout Kings is not only dumb and mind-numbingly silly, but what makes it all-the-more terrible is that all this silliness has been stolen from other mind-numbingly-silly shows.
Awards & Rankings
User score distribution:
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Positive: 26 out of 34
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Mixed: 5 out of 34
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Negative: 3 out of 34
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Apr 13, 2011
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Mar 21, 2011
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Jan 17, 2014