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Sorting out the sins and sinners in the final eight episodes of Boardwalk Empire promises to be as intriguing as it will be intense.
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The end begins--evocatively, dramatically.
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You don't need to pay attention to the authentic background characters, or the glorious music, or the exquisite clothes, or even the textured dialogue to appreciation the majesty of Boardwalk. In fact, you can strip away the majesty--which the show loves to do--and still have a killer drama.
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The intrigue escalates in the next episode where things are heating up in Chicago, home to a couple of this season’s compelling new players, Al Capone enforcer Mike D’Angelo (Louis Cancelmi) and crime fighter Eliot Ness (Jim True-Frost).
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Enoch clearly loves the drink, and enjoys the bad work he does, and the final season of Boardwalk Empire suggests that no matter what cloaking his ilk partially hid under, it's nothing compared to the whitewashing that's about to come.
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As a technically proficient piece of visual storytelling, Boardwalk continues to excel.
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Forgoing its recent dip into somnambulism, Empire is (literally) all guns blazing again.
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Things are more subtly chaotic on Boardwalk Empire this season as well, marked by a season premiere that feels more menacing and violent than the HBO hit often has in the past.
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If these first three hours are any guide, Boardwalk looks like it’s heading toward a finish worthy of what preceded it--one that might not be black and white, but will at least provide a sense of where all the bodies are buried.
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Boardwalk shows no signs of losing its identity. All signs point to a bloody proper finish.
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There are still pleasures to be found in Boardwalk Empire, but it's definitely time to wrap--and enjoy a good stiff drink as a reward.
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There’s a lot of thread here, and less time than usual to knit. In the first three hours anyway, there’s too much Empire, too little Boardwalk.
Awards & Rankings
User score distribution:
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Positive: 116 out of 133
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Mixed: 11 out of 133
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Negative: 6 out of 133
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Sep 8, 2014
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Sep 7, 2014
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Sep 7, 2014