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CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
11
Negative:
1
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Critic Reviews
Season 1 Review:
Batwoman has a welcome amount of openness and information sharing from the get-go. The series also does surprisingly well with establishing several key supporting characters. ... Around Kate Kane and Rose, there's a question mark. The camera is intrigued, gravitating toward her angular features, spiky hair and convincing swagger. I'm not sure she's as good at conveying the required authority or enigmatic mystery.
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ColliderOct 3, 2019
Season 1 Review:
Batwoman really sings when it’s building the adversarial relationship between Kate and Alice, an opposite-sides-of-the-coin situation with similar vibes to Batman and the Joker. Skarsten is having a blast alternating between whimsy and dangerous menace, and her villain feels like the only performance that’s been lived in for more than two episodes. Better yet, it’s bouncing off of Skarsten’s unpredictable energy that Rose’s surly, tamped down performance works best.
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Season 2 Review:
It remains unclear how the new protagonist will impact the show's overall momentum, as these opening chapters work to transition viewers to a new narrative schema. So far, Leslie's character provides some classic "fish out of water" levity to an otherwise self-serious superhero melodrama. That novice energy comes at some cost, however, to the series' established emotional dimensions.
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Season 2 Review:
After a first season that never quite got off the ground creatively, "Batwoman" announced that original star Ruby Rose would be leaving but that the series would hang around without her. The contortions necessary to arrange that baton (or Batarang) pass mostly fizzle in the opening episodes, fueling a sense that this CW drama might be flying on fumes.
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Season 1 Review:
The series doesn't exactly hit the ground running, and appears short on arrows in its quiver, to borrow from another DC-CW staple. If that dynamic doesn't improve, other than the most loyal acolytes of the DC universe, it's a poor candidate for committing many more nights to it, dark or otherwise.
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The GuardianMar 30, 2020
Season 1 Review:
Everyone involved, of course, might fare better if they had a decent script, proper lighting, well-choreographed fight scenes and sets that didn’t look as if they had been nailed together from whatever was left after Michael Keaton left the building in 1989. ... For now, though, pure and perfect trash is what we need – and Batwoman provides.
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Season 1 Review:
I’m sorry to report that, despite her big talk, Batwoman is pretty much a nobody on the TV screen, a dud as both a vigilante crime-fighter and a ticked-off relative with unresolved grief issues. Mostly she’s just another paint-by-numbers CW superhero, joining a collection of other, steadfastly rote shows (“Supergirl,” “The Flash,” the soon-departing “Arrow”) from executive producer Greg Berlanti (and, in “Batwoman’s” case, writer Caroline Dries).
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