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CRITIC SCORE DISTRIBUTION | ||
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Positive:
33
Mixed:
12
Negative:
1
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Critic Reviews
Season 4 Review:
Comedically, Baskets has basically remained the same, minus some of its more abrasive shades exhibited early on. ... Baskets has always been comfortable playing itself as an unfussy drama, often privileging melancholic portraiture over punchlines. However, this season trades in depression for self-improvement, and the results are more poignant than ever before.
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Season 1 Review:
Chip is an angry guy wholly consumed with himself, but as ludicrous as he may be, Galifianakis makes him feel stubbornly real. Chip is a bitter, middle-age guy holding on to his dream so tightly he's suffocating himself. That commitment also extends to Louie Anderson, who brilliantly plays Chip's mom, Christine--yes, his mom (in drag).
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IndieWireJan 22, 2016
Season 1 Review:
It’s hard to predict where the series is headed, or even if the delicate mix of jokes and introspective moments can keep walking the tightrope, let alone dance on it. But there’s something here worth keeping an eye on--the people, really. Galifianakis, Anderson and especially Kelly fill Baskets with possibility, even if it’s not exactly brimming with energy from the onset.
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Season 1 Review:
With her understated, monotone delivery no matter the situation, Kelly just might be the comedic find of the season. Galifianakis delivers a finely tuned grump as Chip and an over-the-top shrew as Dale. Under co-creator, executive producer and director Jonathan Krisel’s sensitive care, Baskets is a funny show about sad people.
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Season 1 Review:
The series is set in recognizably real environments, and the photography, editing, and sound design are often as moody and intense as anything in the work of Paul Thomas Anderson.... Chip’s arrogance and obliviousness undercut any sympathy we might feel for him. Only Galifianakis’s distinctive energy keeps us from finding the character entirely unpalatable.
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Season 1 Review:
When the show works as a comedy--which it does at about a 30-70 ratio--it’s all about an accumulation of silliness, delivered with a straight and yearning face, rather than clear-eyed observation.... But a comedy that inspires more pathos than laughter isn't necessarily failed. It just might be mislabeled.
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