User Score
Universal acclaim- based on 332 Ratings
User score distribution:
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Positive: 276 out of 332
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Mixed: 32 out of 332
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Negative: 24 out of 332
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User Reviews
- User score
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- Most helpful
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May 24, 2014
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Jun 5, 2013
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Jul 29, 2016
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May 27, 2013There was still some great wit in this revival, but the overall tone was depressing as nearly every character is in bad shape. The episodes are also split so that whole episodes focus on one character and some of the characters (like Tobias) are hard to take for that long. I won't give up on this show if they continue on with more seasons, but this one feels like a failure.
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May 27, 2013I cannot believe that one of the best comedies in the history of television was turned into a pile of crap. And the idea of giving focus to one character in each episode sucks too.
I do hope that the rest of the episodes are better. -
May 27, 2013
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Jun 1, 2018
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Oct 7, 2013A sheer disappointment of an encore. Hurwitz's new and unnecessary experimentation with the structure of the show results in some finer moments (that take us back to the masterful previous seasons) these are however, few and far between.
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Oct 15, 2017Painful would be a term I'd use to describe AD season 4. The much hyped and anticipated season made its biggest mistake by separating all the characters and placing them in their own story arcs which only slightly meld towards the end. The best episodes include Lucille, Buster and Maebe.
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Dec 27, 2013
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Aug 4, 2018It's sort of like Arrested Development without any of the things that made you like Arrested Development. I've you're a trendy "nerd culture" journalist that wrote a review based on the trailer, you might like this season. If you're a normal person, you're going to be left pondering the deep philosophical question of how anyone could ever like this season.
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Aug 5, 2018This season tries too hard to be different and frustrates the fans that just want too see the Bluths all together again after a 7 year hiatus.
Awards & Rankings
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Overall impression: look for them [the episodes] to get better, stronger and funnier.
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The cultural references feel a bit dated (the bubble-bursting housing-market collapse, Herman Cain proxy Herbert Love, The Blind Side, and The Social Network among them), and there's too much miscalculated racial humor and preoccupation with sex offender-related jokes, but there's still a plethora of fresh homonym-friendly wordplay, surprising parallels, and witty allusions to delight and preoccupy us until the series pulls off its next magic trick.
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I suspect it might be a classic that deserves a spot in the pantheon of great, long-delayed follow-ups, though I need to watch the whole thing again and live with it and then write about it again to be sure. That I’d want to rewatch the whole season immediately is, of course, another, possibly higher compliment.