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Critic Reviews
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In looks and structure, Arrested Development is like a 30-min. drama, just a hilarious one. In most network sitcoms nowadays, the wisecracking characters are aware that they're being funny. The oblivious Bluths are funny despite themselves.
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Smart, unruly, and very fast, Arrested is the ultimate TV series for our TiVo age.
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This is one of maybe six or so elite series on all of television that you should absolutely be watching. Pitch-perfect acting (ensemble stars Jason Bateman and Jessica Walter were robbed of Emmys) and nuanced writing that staggers you with its cleverness and lunacy makes this more than a typical dysfunctional-family sitcom. [3 Nov 2004, p.E1]
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The reigning Emmy comedy champ debuts its second season with an episode that may well be its funniest... TV bar's for comedy has been raised again. [5 Nov 2004, p.4]
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Arrested Development is, in fact, "Dynasty" as it might be rewritten for the Three Stooges if there were a dozen of them...Sly, wild, clever and just plain nuts, Arrested Development makes you think as it makes you laugh, and one of the things it makes you think is, "Why the hell am I laughing?" Deep in your subconscious, you know. You've slipped on the appeal of a frozen banana. [6 Nov 2004, p.C01]
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What a brilliant, hilarious treasure this show is, a real work of skewed art. It's also the last, best argument against the assertion that comedy is dead on TV. Watch a couple of episodes of Arrested Development and you'll be convinced it's not even ailing. [7 Nov 2004, p.1E]
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The future of TV comedy is a sick one, my friends. A gloriously, brilliantly, deliriously sick one, where a desperate housewife wears a "SLUT" T-shirt on a prison visit, a businessman sells prefab homes to Saddam Hussein, and a pudgy teen lusts after his first cousin. It's a ferociously Freudian future, replete with a pent-up mama's boy, a family-run banana stand, and a disbarred psychiatrist who wears cutoffs beneath his underwear because he's a "Never-nude." That's a phobia about nakedness he's trying to make into a nationally recognized condition...In short, it's Arrested Development. [7 Nov 2004, p.N4]
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Part of what makes his series hilarious is the riotous pace and innovative comedic rhythms that sneak up on viewers. This distinctive style is as different from TV's old "Laverne & Shirley" model as third-wave ska is from Perry Como. [7 Nov 2004, p.F-15]
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The good news is that it's still got game. [7 Nov 2004, p.C09]
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An uncommon comedy. Its rhythm is less jokey and requires a little more effort on the part of viewers, but the comedic payoff is better, too...I begged viewers to watch this series last year, and I'm not averse to doing it again: Please watch. If not for yourself, do it for me; if the ratings are low, Fox might replace it with yet another edition of "The Simple Life," and that's not good for anybody. [5 Nov 2004, p.WE-41]
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For all their foibles, the Bluth family seems more real than most stale sitcom clans; the looks that they give each other are recognizable to anyone who has ever been embarrassed or just weirded out by the behavior of the people they love. [5 Nov 2004, p.5]
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If the season premiere is any sign, Arrested Development is going to be just as wacky as last season. [6 Nov 2004, p.13E]
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Funny stuff. Now if only it could find an audience. [5 Nov 2004, p.51]
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One weakness in the show is that each character has a showoff story line that splinters the narrative rather than unites it. And sometimes the hyper-arch tone gets a little tiresome. But only sometimes. Mostly, a talented cast and funny, imaginative writing make each episode a pleasure. Arrested Development is watched by critics, but it deserves a bigger, perhaps better audience.
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Even if you're confused when tuning in as a first-timer, it's a lot better than not tuning in at all. [4 Nov 2004, p.103]
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But my ultimate test for any comedy is - what else? - "Does it make me laugh?" Arrested Development seldom does. Not loudly, anyway...It has neither the liberating audacity of HBO's "Curb Your Enthusiasm" nor the delirious, anything-for-a-laugh energy of NBC's "Scrubs," the two contemporary comedies that consistently crack me up. It's reminiscent of the taboo- breaking 1970s comedy serial "Soap," but drier, more deadpan, and with less endearing characters. Does it deserve a wider audience than it has gotten? Sure. But I can't imagine it becoming a mainstream hit for Fox like "The Simpsons" or "Malcolm in the Middle."
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I used to like Arrested Development, and now I don't...So shoot me.
Awards & Rankings
User score distribution:
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Positive: 279 out of 296
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Mixed: 2 out of 296
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Negative: 15 out of 296
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Jan 21, 2011
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Nov 29, 2012
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Jun 14, 2012