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While the jokes are indeed silly, there’s an edge to Frank’s insistence that feels unpleasant. As Fred, Rowland is an appealing presence, and I also liked Vella Lovell as the pair’s boss. Much of what the animal control does is, in this show’s telling, low-stakes and charmingly offbeat, making room for workplace-comedy bits that could as easily be at an elementary school or a paper supplier. Which is why it feels urgent that the show recalibrate the Frank character.
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To succeed in the long-term, “Animal Control” needs to get funnier fast and spend more time on its human characters and less time on animal gags.
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It’s just not that interesting, or at least this critic didn’t find it to be so. Animal Control is competent but not spirited. ... Its humor is pitched right down the middle, with few attempts to push the boundaries toward outrageousness or nastiness or pure goofiness. There’s no single personality big enough to pop off the screen, and no zingers sharp enough to get quoted or memed into the cultural consciousness.