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Critic Reviews
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Altered Carbon could become almost anything. But as with most Netflix series--as well as with most Meths--that limitless potential can too often lead to sedentary self-indulgence.
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Big issues of body, mind, identity and technology shuffle around the Altered Carbon universe, but the show often drags its feet in order to fill its individual episodes’ running times.
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Altered Carbon is so busy trying to wow viewers by constantly one-upping the imagery and the intensity that it barely pauses to consider its story. The writing is also distinctly clunky: a hodgepodge of vacant platitudes and canned spirituality.
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Every so often, Season 1’s disturbingly intense focus on flesh proves compelling, but Altered Carbon never fully comes to life.
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The series is convoluted, digressive and long. ... Eventually, you do arrive at the end, which has a certain mathematical balance and, despite (or perhaps because of) some corniness, prompts deeper feelings than you might have expected.
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A lot of Altered Carbon is very silly, mostly whenever any of the principals converse. Trite dialogue prevails. ... If you like your sci-fi good-lookin’ and tough talkin’, I heartily recommend Altered Carbon. Me, if I want a dose of steely speculative fiction, I’ll reread my old paperbacks of novels by Pat Cadigan and Lewis Shiner.
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An astounding ambitious production design. ... Every twist of the convoluted and ultimately unsatisfying plot puts Kovacs, and his combative police officer partner Kristin Ortega (the terrific Martha Higareda), into gruesome situations that edge into torture porn. [5-18 Feb 2018, p.10]
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Altered Carbon tries to meld a dystopian class-warfare story and a hard-boiled detective story by simply piling on both the pseudo-philosophical blather (much of it delivered in voice-over by Renée Elise Goldsberry as a rebel leader and Kovacs’s former lover) and the film-noir clichés. ... Mr. Kinnaman wears a bad attitude as easily as most actors wear a shirt, but playing a reluctant Philip Marlowe-style gumshoe with the soul of a freedom fighter (the embodiment of the show’s dual nature) doesn’t suit him, and he lacks his usual spark.
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When Carbon focuses on Bancroft's murder, it's most successful, unspooling a mystery entwined with vice and riches. But more often, it gets lost in extraneous subplots and characters. Visually, the series is so dark you can't see the action.
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Though his supporting cast isn’t particularly memorable, Kinnaman’s devil-may-care gruffness keeps the mood rough around the edges. Unfortunately, Altered Carbon is so busy tying itself up in knots that it fails to grapple with the ethical questions--about what defines a person, and a life; about how morality can exist if mortality is conquered—that are at the heart of its tale.
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There are some compelling scenes and moments in Altered Carbon, but at no point do any of them convince me to care about what happens to the main characters.
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Netflix has taken more than a few flyers on big, splashy, time-wasting projects, and Altered Carbon -- a sci-fi experiment gone awry -- joins that pantheon of the quickly forgettable. Based on Richard K. Morgan's novel, the series looks great -- starting with Joel Kinnaman, who spends a lot of time showing off his commitment to the gym -- but in terms of substance, offers little more than an empty sleeve.
Awards & Rankings
User score distribution:
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Positive: 555 out of 696
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Mixed: 83 out of 696
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Negative: 58 out of 696
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Feb 3, 2018
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Feb 3, 2018
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Feb 2, 2018