- Network: ABC
- Series Premiere Date: Oct 6, 2022
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Critic Reviews
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When the show focuses on the reward and the struggle of the work, it’s fabulous. ... Even if it can get preachy, Alaska Daily’s warp-speed dialogue and efficient, network-TV execution ensure that viewers won’t get too bogged down in sermonizing.
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The most interesting characters by far are Ami Park’s Yuna Park, Meredith Holzman’s Claire Muncy, and Grace Dove’s Roz Friendly. Yuna is an eager young journalist who learns all-too-quickly that reporting the truth means consequences for the people she covers, whether or not they deserve it. ... [Claire] writes a manifesto in the second episode about the state of the world today that is not at all preachy but is very, very sad and pragmatic.
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This is the rare, modern network drama to balance mass appeal with semi-progressive ideology. Led by an absorbing performance from Swank (who shocked the world this week with the announcement that she is pregnant with twins at age 48), Alaska Daily is the most intriguing new show on network television.
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The strength of the show is in burrowing into character and situation to find something fresh behind the basics. The pilot shows promise for what may, with time and care, bloom into a strong entry on ABC’s schedule, and a welcome weekly dose of McCarthy’s sensitivity and skill.
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The world of the show feels like a fully realized place where people are connected to the community they cover. And it threads the needle between episodic storytelling and servicing a longer, serialized arc that will presumably span the season. ... And Swank brings the right kind of cantankerous nuance to the role.
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A solid, impressively credentialed and entertaining albeit conventional series that plays like a comfort-viewing, hourlong show from the 1990s. ... Swank and the supporting players are terrific together.
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A true rarity — a sharply drawn portrait of local journalism.
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There’s enough potential in “Alaska Daily,” to easily be fall broadcast TV’s best drama pilot that it’s worth rooting for this series that’s earnest without being cloying, sincere without getting sappy.
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It may be a low bar, but if we’re watching a network series where we don’t roll our eyes or throw up our hands at what we’re seeing on the screen, there’s a good chance that we’ll want to see more of it. And Alaska Daily had enough to like to make us want to see more.
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Had it been made as an HBO miniseries, to which the subject would easily lend itself, it would be a different thing entirely, somber and atmospheric and cinematic. As a network series, it is something broader, more immediate, less subtle. TV not as cinema but as television, an Arctic Circle “Lou Grant.” Gestures are bigger, speeches are speechier, the workplace quirkier.
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The actors do what they can to complicate that dynamic. Swank is saddled with the role of self-important killjoy, but she calibrates Eileen's prickliness with just enough respect for her colleagues to keep things interesting, and her co-stars make the supporting characters easy to like. But the show undermines them, playing up Alaska's folksiness to the point of being condescending.
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Swank and Dove are well worth watching, however, despite its good intentions, the first two episodes reveal “Alaska Daily” to be yet another run-of-the-mill drama.
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“Alaska Daily” isn’t just a fish-out-of-water story spouting enough political buzzwords to feign significance. It’s lazy. And not even an Oscar (or two) means you can get away with not trying.
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Somewhere in here is a daringly kind and low-key show about the importance of small things and the value of humble decency, which – if it were possible to get such a thing commissioned in the first place – would be better off without the contrived antagonism of a big-city firebrand shaking everyone up. Unfortunately for Hilary Swank, Alaska Daily doesn’t really need her.
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In the two episodes sent to critics, neither half is fully developed and the tonal choices in each half work against the merits of the other. It could be fun! It could be important! Instead, it’s clumsy and didactic and yet, in this moment of pathologically low-ambition broadcast dramas, Alaska Daily is at least more interesting and ambitious than the umpteenth Dick Wolf procedural or Monarch.
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[Eileen Fitzgerald (Hilary Swank)] is among the more insufferable TV protagonists we’ve had in a while, and not necessarily in a way that Alaska Daily intends. ... The version of Alaska Daily that works best, in part because it’s the one that least involves Eileen: an overextended group of reporters and editors struggling to cover all the important issues affecting America’s physically largest state. ... ABC might be more inclined to be patient with Alaska Daily. But the show would require a fairly significant refocusing for that to be worth anyone’s time.
User score distribution:
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Positive: 4 out of 6
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Mixed: 0 out of 6
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Negative: 2 out of 6
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Oct 16, 2022
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Apr 27, 2023
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Jan 24, 2023