There is a lot to like and there is great potential, so give it a chance and see if you want to engage with Marry Me every week.

There are moments where The Flash feels tied down in flashbacks. There are pockets over-acting and cheesy dialogue, but those are easily overlooked for the sake of establishing necessary emotional connections in 45 minutes of show time.

Witty dialogue combined with the likability of the squeaky-clean Feldman and Milioti will bring you in for the first few letters, but the supporting players will keep you in through the letter Z.

Happyland is definitely a fun show with a lot of original potential. It just needs to trust itself and the ingredients it has already in the stew before going for outlandish soap opera stories over grounded character-based work.

A touching, intimate, humor-laced family drama that is easily the best new show debuting this fall, and the way you'll be able to watch it holds a not-small part of its power.

It's hard not to compare the comedy to past shows such as "The Bernie Mac Show" and "The Cosby Show" and rightfully so. Black-ish continues the momentum these shows started and brings in issues of this generation.

There's enough detail in the setting and characterization to keep it distinct from the mothership, but also more than enough of the template (down to the freeze-frame tic at the open and close of each act) to make it go down like a comforting plate of crawfish etouffee.

All in all--the action will draw viewers in and the loveable characters will keep them for the long haul.

The actors bring an appropriate amount of camp to their performances, spitting out slick comic-book-speak with just the right cadence.

Red Band is one of the brightest shining new shows of the fall TV season, thanks to solid writing and great, endearing cast performances.

We have no idea what the future holds, but if the series holds up to the pilot, Satisfaction is an exciting and way more than satisfying journey worth taking.

Rush is a pretty good pilot that could turn into an excellent addition to USA's lineup of complicated character dramas.

There are some predictable relationship issues that are introduced between a few characters that are more than a little groan-worthy in how cliche they are. Those few issues aside, Finding Carter hits the ground running with an extremely compelling pilot.

All in all the things we love about OITNB are still there--the dark humor, the camaraderie, the misery and the mystery.

Silicon Valley has its share of pause-the-DVR laugh lines, but it's not as relentlessly funny as, say, Judge's "Office Space." It does, however, get better as it goes along.

There's a lot happening all at once and not all of it even makes that much sense. It may never help you pass a history test or win accolades for Starz, but Da Vinci's Demons is still a whole heck of a lot of fun.

The Red Road drops viewers into a complicated situation that only gets more complicated by the end of its first episode.

Billy and Steve, and even Rodney (Nick Daley) and Walter (John Ratzenberger), get entire story arcs and episodes dedicated to their lives and troubles, and that's part of what is helping the series find its footing.

Sometimes it's nice to have a fun, well-acted, pleasant sitcom both about and for the family.

Teen romance does play a major role in [Star-Crossed]... but there's a serious story of prejudice hiding underneath. That serious side--a look into the good and bad of humanity when faced with the "other"--is as compelling as it gets.

Four episodes in, Black Sails is actually spinning a cleverly-crafted tale of intrigue, secrets and deceit surrounding a race for an enormous cache of gold in a Spanish galleon.

Some won't find it gay enough, others will likely wrinkle their nose at the word "gay" and avoid it like the plague. That's a shame, because with this quiet, sincere little show is quite revolutionary on its own. And that's something worth looking at.

It helps that so much of 'Klondike' was shot on location and without CGI. That makes the series feel especially real and lived, which is key in making a project like this one work.

The British detective series remains one of the best shows on television. Cumberbatch and co-star Martin Freeman have only grown more comfortable in their respective roles of Holmes and Watson. The scripts, meanwhile, understand these men, what makes them tick and why they gravitate toward each other.

True Detective proves to be everything the HBO marketing has promised it to be: a gorgeous, stylized and dark exploration into the worst parts of the human psyche.

The new comedy delivers on its crazy promise.

The new season returns to the show's more familiar structure. But the character beats that played out last season--and in previous seasons, for that matter -- linger. The result is that the Harlan, Ky., and environs of Justified feels like a very familiar, lived-in place--in the best possible sense.

Fun jokes, strange setups and surprisingly touching moments are all present as Community dances its fine edge between silliness and the abyss of the insane.