It's essentially "Golden Axe" for the 'more pixels, more joy' age. [Issue#38, p.115]

Ultimately feels stale. [Issue#47, p.84]

Still brilliant, but the amount that’s gone in to please noobs is grossly disproportionate to that which aims to please fans. Nonetheless, Tiger keeps up his impressive run.

Epic seizure-inducing madness that is the graphics. [Issue#37, p.117]

Too Human is by no means a bad videogame, it’s just very repetitive and highly disappointing. With ten years development time, you’d think it would be a bit more impressive than this.

Falls short of grand slam quality. [Issue#35, p.94]

It's the kind of old-school outing that will frustrate and satisfy in equal measure, above control issues proving the major reason behind such frustration. [Issue#38, p.115]

Obviously, if "Fable II" bores you to tears, steer clear, but if there's a chance you'll chase Molyneux's dream, by all means play on. [Issue#37, p.116]

In truth, we’re in distraction territory – beyond (admittedly quite a few) graphical changes, its only substantial addition will feel to football veterans like throw-in training might feel to, er, football veterans.

You can't put a price on innovation. [Issue#34, p.116]

The daddy is back. [Issue#37, p.116]

The really great thing, however, is the character creation mode. Honestly, it’s brilliant, and about as close to a real character creation as we’ve ever seen.

Very few redeeming features can pull SA back from the brink of feeling more like a half finished game with unforgiving controls. It will leave you with blisters, but not the good kind.

The game employs some brilliant animaitons for dying enemy units. [Issue#33, p.116]

What really makes this game stand out is its b-boy stylings. [Issue#36, p.115]

It's reassuringly simple fare. [Issue#36, p.115]

Playing it singularly, the computer AI works well in controlling the other ship, but this is best played with two easily amused people. [Issue#34, p.117]

A game with such subtleties and fine detail as Civilization IV would never have worked on a console, and so while purists might carp at Revolution’s necessarily stripped-down feel, its injection of pace makes for a more exciting – if marginally less cerebral – strategy game. And more importantly, it’s still as life-suckingly addictive as ever. [Issue#34]

The problem is, once you’ve played each event a few times they become drained of any further interest. It’s great for a quick laugh, but there’s a serious lack of charm that fails to motivate in coming back for more.

Incomparable to the pure fear that accompanies "Rainbow Six Vegas 2" and more akin to taking part in a sport than a war, Unreal Tournament III is the most accessible and technical shooter available, and it’s near impossible to fault it.

Quite simply, this would have been struggling for a decent mark on Live Arcade. One strong concept does not a game make.

It should have been released months before "Soulcalibur IV" comes out, not the Wednesday before. [Issue#35, p.114]

There’s a lot here that fans will love but they’ll also be the first to complain about the few omissions. Non-fans, ask yourself how much you really love Guitar Hero.

It's basically four buttons, used in the same way each time. Fun. [Issue#36, p.115]

The vertical scrolling and relentless shooting become tired and boring very quickly. [Issue#35, p.114]

This actually proves pretty deep. [Issue#36, p.114]

It’s no surprise that a movie-licensed game has turned out rubbish, again. There is no excuse for gameplay this dated. Avoid, unless you’re feeling very nostalgic.

Small kids might like it, but will need supervision to solve some of hte later puzzles. Adults beware. [Issue#36, p.96]