WellPlayed's Scores

  • Games
For 732 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Game review score: 76
Highest review score: 100 Eastward
Lowest review score: 20 Taxi Chaos
Score distribution:
  1. Negative: 33 out of 732
734 game reviews
    • 63 Metascore
    • 55 Critic Score
    Despite some stunning visuals and an excellent soundtrack, Aphelion sadly doesn’t have the narrative prowess that DON’T NOD is known for. Bland characters and a story that doesn’t deliver on its promising premise, plus a tedious gameplay loop makes this sci-fi adventure a disappointment.
    • 81 Metascore
    • 70 Critic Score
    Generic boomer shooter gunplay and a stretched-out runtime could be make this a cold case for some, but the incredible rubber hose aesthetic and entertaining noir setting should help see most detectives through to the end.
    • 66 Metascore
    • 55 Critic Score
    The Occultist has a strong premise, interesting narrative, and engrossing atmosphere, but unfortunately it fails to capitalise on this with some pretty tedious gameplay, a lack of scares, a boring protagonist and out-of-place voice acting.
    • 70 Metascore
    • 70 Critic Score
    People of Note is an ambitious turn-based RPG which shines in many ways but ultimately fails to hit all of its high notes. While the soundtrack and turn-based combat are individually strong, there’s a persistent disconnect between the gameplay experience and the power of song that the narrative is trying to sell you, leading to a weird sense of musical emptiness that undermines the core selling point of the game.
    • 73 Metascore
    • 60 Critic Score
    Charming and occasionally engaging, Darwin’s Paradox! Is an uneven and sometimes irritating stealth platformer with a few too many quirks and inconsistencies to outright recommend.
    • 73 Metascore
    • 70 Critic Score
    ICARUS is a fantastic game, but the console experience is let down by frustrating UI and controls. If you have likeminded friends, the limited multiplayer will still deliver hours and hours of fun and satisfaction, but if you
    • 77 Metascore
    • 55 Critic Score
    Proving that looks aren’t everything, Crimson Desert’s stunning visuals and strong performances aren’t enough to save it from being a disappointing experience. Jam-packed with content and systems that make it feel like a Jack of all features, master of none with an unenjoyable gameplay loop, Crimson Desert is really just a single-player MMORPG in all but name.
    • 72 Metascore
    • 50 Critic Score
    Ratcheteer DX taps into nostalgia for simpler times, but it largely fails to translate to a modern console experience. Beyond the low-res pixel graphics that come with a free helping of eye strain, the experience is weighed down by a shallow narrative, humdrum combat, and excessive backtracking.
    • 72 Metascore
    • 60 Critic Score
    A collection of cool shit laid out on a shaky foundation, Romeo is a Dead Man is as admirable and occasionally brilliant to witness as it is borderline boring to play. It’s a punk rock demo tape, an imperfect showcase of violent profundity scattered amongst a bunch of noise.
    • 70 Metascore
    • 60 Critic Score
    Code Vein II picks a little from the best of the Soulslike genre, but doesn’t go the distance to innovate or execute on these ideas well enough. The Blood Codes-fuelled action is where the gameplay shines, but the confusing writing and performance issues on PS5 suck the fun out of this anime vampire sequel.
    • 84 Metascore
    • 70 Critic Score
    Ubisoft have built upon the foundations of its immensely satisfying city-building blueprint with a winning retheme, but a few too many technical and interface issues mean Anno 117: Pax Romana falls just shy of a recommendation.
    • 71 Metascore
    • 50 Critic Score
    Beautiful yet flawed, Possessor(s) misses the mark with its blend of Metroidvania exploration and brawler combat, resulting in an unfortunately frustrating fusion.
    • 81 Metascore
    • 70 Critic Score
    Keeper and its endearing story of friendship and nature hits every artistic mark you would expect out of Double Fine, but its unengaging gameplay and lacking puzzles keep it from joining the studio’s top-shelf hits.
    • 75 Metascore
    • 55 Critic Score
    Static Dread: The Lighthouse employs a brilliantly unsettling art style and threatens to go to interesting places before disappointingly settling into monotony.
    • 66 Metascore
    • 70 Critic Score
    Twinkleby is a cozy, light-hearted, dollhouse-like decorating game that will capture you for hours as you house the many characters that come to your islands. Despite its quirks, it features relaxing gameplay in an adorable, customisable environment.
    • 86 Metascore
    • 60 Critic Score
    Conceptually, Silent Hill f is every bit the fascinating, uncomfortable step forward the series has needed for a long time. Its deployment of iconography, theme, and tone is both in keeping with what makes the Silent Hill titles so endearing and radically subversive for the genre space (at least within games). To balk at its gendered tale is to balk at the idea of Silent Hill itself. But Silent Hill f needs to exist beyond its concept; its ideas and commentary too weighted to celebrate for simply being there, and its systemic failures too omnipresent to not feel all the while. Silent Hill f is the step forward Silent Hill needs; it’s a shame it was onto such unstable ground.
    • 71 Metascore
    • 70 Critic Score
    It may seem harsh to knock a game for doing what’s already proven to work, especially when I had praise for all of the same qualities when I reviewed Little Nightmares II, but we’ve been here before. Twice now. And a fresh set of eyes and hands could (and should) have resulted in something more. What’s here is perfectly fine, enjoyable and comfortably familiar, just not at all essential.
    • 76 Metascore
    • 70 Critic Score
    Ritual of Raven is a cosy, witchy farming simulator that attempts to offer a fresh take on the genre. While the game has technical glitches and a couple of subpar design choices, it does enough right that it is hard not to enjoy one’s time with the game.
    • 68 Metascore
    • 50 Critic Score
    Despite some grave issues, I want to affirm that Killing Floor 3 is not a bad game. It’s certainly a bad time if you’re on PlayStation 5. Rather, the low ceiling for gratification that the Killing Floor formula offers has seen some exciting improvements and controversial tweaks this time around. The itch is scratched, slow-mo hyperviolence intact. I’m just unsure where its confidence has gone, as it has unnecessarily overcomplicated every aspect of the otherwise casual horde shooter into a bafflingly opaque mishmash of its competitors’ form.
    • 73 Metascore
    • 65 Critic Score
    Undoubtedly the best Gears of War has ever looked, the continuous finessing of the title has only set to highlight some of its eccentricities in an unflattering light. Charming jank of yesteryear is instead jarring to behold by modern standards, even if the gameplay experience still nails the brief in the lofty year of 2025.
    • 85 Metascore
    • 60 Critic Score
    With Metal Gear Solid Delta: Snake Eater, Konami has crafted a visually arresting re-release so fawning and reverent that it reads entirely incurious. Fans of the source material will no doubt relish the opportunity to play a more modern-feeling take on a generational piece of art, but such a seemingly important work should inspire more.
    • 79 Metascore
    • 70 Critic Score
    Short and sweet, Is This Seat Taken? manages to make a joyful puzzle game out of classically uncomfortable social situations. It could have done with a bit more variety, even in its short runtime, but this is one that will speak to a lot of folks.
    • 71 Metascore
    • 55 Critic Score
    Wheel World is an enjoyable enough game that gets right to the point of riding a bike and saving the world. The cycling challenges and narrative require nothing but a desire to work away at customising your bike to best go up and down hills, slide around corners, and jump ramps. While its creativity and riding mechanics are minimal, its vibe-based world is perfect for a casual player who likes the premise of a bike-based society.
    • 73 Metascore
    • 50 Critic Score
    Misc. A Tiny Tale is not a game I enjoyed. The narrative tone is awkwardly patronising to play through as an adult, and while the level design has its occasional moments, the relatively bland gameplay does not make up for this. While the game mostly handles sensitive topics around mental health in a way that is appropriate for young children, some of the supplementary material is at odds with this otherwise child-friendly tone, and it’s hard to recommend to any age group.
    • 76 Metascore
    • 65 Critic Score
    Super Mario Party Jamboree Nintendo Switch 2 Edition + Jamboree TV offers a few new diversions wrapped in a neat presentation that makes it a compelling enough upgrade for existing owners. But for anyone jumping in at full wack, the slight visual edge and mixed bag of camera-based minigames don’t necessarily make it an essential purchase over the much cheaper and perfectly playable Switch 1 version.
    • 75 Metascore
    • 70 Critic Score
    Raidou Remastered is an enjoyable MegaTen curio that needs a few more ideas to give its real-time combat any lasting appeal.
    • 73 Metascore
    • 65 Critic Score
    Siren’s Rest is an enjoyable, if a little short, dive beneath Still Wakes the Deep’s waves that doesn’t capitalise on its strong narrative, leaving players a little unsatisfied. The premise and setting do manage to build some solid tension, but it never elevates to a genuine scare factor that would take the experience to the next level.
    • 67 Metascore
    • 70 Critic Score
    TRON: Catalyst is a solid game for TRON fans to experience. Despite the back-and-forth, the game features a detailed story that is satisfying to uncover as you explore the Grid and factions. The looping glitch is a great addition to the story, and the abilities you unlock throughout the game make the fast combat and gameplay more interesting. And of course, the Light Cycle is fun to use. Ultimately, TRON: Catalyst gives you more insight into the Grid life and what it’s like to be a program.
    • 72 Metascore
    • 70 Critic Score
    Near-Mage is an intriguing story in a stunning Transylvanian setting that doesn’t quite live up to its potential due to its underutilised magick mechanics and lack of difficulty. Some adventure fans may appreciate Near-Mage’s simplicity, while others will wish it had more of a challenge.
    • 86 Metascore
    • 65 Critic Score
    Mario Kart World stands in stark contrast to the original Switch’s franchise re-evaluation, The Legend of Zelda: Breath of the Wild. Where Link’s first foray into true open world design made for a generation-defining experience, Mario Kart World’s shift is uneven and chaotic, often producing frustrations alongside innovation and fun. A massive leap in fidelity and a lengthy development cycle have shaped a gorgeously realised world and roster of racers to barrel down impressive tracks with a small bag of new tricks. But the time spent between these breathless bouts is unrefined and clumsy, a world built for a console’s lifetime worth of updates that, for now, offers you little more than a freshly paved highway to nowhere. Mind the toll.

Top Trailers