We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
  1. Godzilla vs. Kong is exactly the movie that everyone wants it to be, and that covers both the positives and negatives.
  2. Impassioned, engaging and eloquently constructed, City of Lies has much more to offer than first meets the eye.
  3. Zack Snyder’s Justice League is excessive and overlong to the point that trimming anywhere up to an hour would have elevated it significantly, but it’s still a triumph of circumstance, style and execution.
  4. Tom Holland breaks away from the Marvel Cinematic Universe in a career defining performance. Cherry melds arthouse invention with mainstream genre to give audiences something truly special.
    • 67 Metascore
    • 90 Critic Score
    Kung Fu Panda 2 benefits from an entertaining story, fantastic direction and amazing visuals. It's one of 2011's best animated films.
  5. Gerard Butler's latest effort reveals a dramatic depth beneath the action man veneer. Brooding, bold and effortlessly engaging, Greenland breaks the mould.
  6. While fans of either Freaky Friday or Friday the 13th might not get enough of what they came for in Freaky, fans of Vaughn will get more than enough to keep them satisfied. He makes Freaky absolutely worth it.
  7. It might not reinvent the wheel in terms of either the action thriller or modern day war genres, but Carnahan has delivered a hugely accomplished debut that’s often harrowing to watch but never anything less than eminently watchable, packed with both nailbiting tension and impeccably-crafted set pieces that mark him out as a director well worth keeping an eye on.
  8. The end product is a hugely satisfying and wholly original Christmas pic that will no doubt become required viewing on an annual basis for those who prefer their holiday favorites to be a little less traditional.
    • 73 Metascore
    • 70 Critic Score
    There is clearly a lot of ambition to The Loved Ones and the near-brilliant leading performances help make the film a unique and terrifying experience.
  9. There’s also an earnestness and unashamedly goofy quality to the whole thing that might even win over some of the actor’s longtime naysayers.
    • 58 Metascore
    • 50 Critic Score
    An American Pickle features an impressively committed Seth Rogen in dual comic roles, but the film lacks depth and urgency and isn’t nearly funny enough to make up for it.
  10. The Tax Collector flings blood, guts, testosterone and Latinx characters to the wall to see what sticks. And in many ways, it pulls that off, especially when all those things are literally splattered on walls.
  11. Part of Hamilton’s brilliance is this reclamation of U.S. history.
  12. The Old Guard has everything you could want from a Netflix actioner. Combat situations get your adrenaline pumping, and it’s rather quick to the draw. Gina Prince-Bythewood establishes a world worth investment thanks to characters who develop farther than just another team of renegade badasses.
  13. Relic is the latest possession movie to peel back its characters slowly, layer by fragile layer, getting at the secrets that lie just below the surface.
  14. Eurovision Song Contest: The Story Of Fire Saga is bursting with wit, warmth and laughs, and is well worth a watch on Netflix.
  15. You Should Have Left is a perfect example of how "forgettable" horror cinema is somehow more tedious than something that goes out in a blaze of failed ambition.
  16. Yes, the movie where a girl falls in love with a Tilt-A-Whirl says more about self-assurance, romantic wilds, and personal comforts than most human-on-human counterparts.
  17. Tom Hardy does it all as Capone: growling, drooling, snot, yelling, snotty yelling. If his performance was in service of a better picture, we might even be talking about him during Oscar season.
  18. Scoob! is an enjoyable-enough start to the Hanna-Barbera cinematic universe, but may leave Mystery Inc. superfans feeling robbed of the Scooby-centric reboot that such a title suggests.
  19. The Platform is a multi-tiered assembly of tension, terror and terrible imaginings that, in cake form, would be worth centerpiece window placement in any professional pâtisserie.
  20. Bloodshot shoots to kill, but with the accuracy of a Stormtrooper - off the mark and leaving much to be desired.
  21. The Hunt puts the "F-U" in midnight "fun" as no sides are safe in this middle-finger cultural roast that's as loudly defiant as it is proudly blood-soaked.
  22. A feel good movie should make you feel...well, good. And My Spy's arsenal of laughs, smiles and carefree action connects with a sniper's precision.
  23. Leigh Whannell does a damn fine job manifesting unnerved tension and sustaining Cecilia’s downfall right in front of everyone’s eyes.
  24. Brahms: The Boy II seems to want nothing to do with its original, which is an odd and detrimental outcome for your direct continuation of Brahms' ongoing story.
  25. From start to finish, Fantasy Island is lacking wicked wonderment and poignant reboot vocality. You'd be best off skipping it.
  26. It’s an enjoyable movie-night combination of lightning quips, genuine friendship and observational humor paced with Sonic’s “gotta go fast” attitude. Score one for video game fans!
  27. Birds of Prey proves that it's no longer a man's world, it's Harley Quinn's - and we should be so lucky.

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