Worth is a fairly routine biographical political procedural, elevated massively by fantastic performances from Michael Keaton and Stanley Tucci.

Ultimately, The Colony squanders a great concept and never takes it to fruition.

This culture clash comedy is a car crash only John Cena survives.

No Man of God doesn't tell us anything about Ted Bundy we didn't already know, but it's a riveting drama anchored by two phenomenal performances from Luke Kirby and Elijah Wood.

The Night House might not stick the landing, but it's an eerie supernatural chiller with an incredible lead performance from Rebecca Hall.

Packed with wit, humor, action and plenty of heart, Free Guy might just be the best video game movie to ever come out of Hollywood.

Beckett is a solid Netflix effort that offers a throwback to the intense political manhunt thrillers of the 1970s.

Nine Days is a fascinating, thought-provoking and incredibly moving feature directorial debut from Edson Oda.

The Suicide Squad is James Gunn at his most unhinged, unrestrained and unleashed, but the result is one of the best DC movies in years.

Dwayne Johnson and Emily Blunt elevate Jungle Cruise, but you've seen this movie before, and you've seen it done a lot better.

Blood Red Sky both is and isn't the movie you think it'll be, but it's perfectly suited for Friday night entertainment.

Put simply, Old distils the human life cycle down into one unique cinematic experience. One that will cause arguments, promote debates and lead to further discussions. Something which confirms M. Night Shyamalan remains a force to be reckoned with.

There isn’t a shred of originality or inventiveness to be found anywhere in the DNA of Midnight in the Switchgrass, but the performances from Fox, Hirsch and Lukas Haas as the unnervingly creepy and very murderous Peter are deserving of much better material. That being said, it’s exactly what you’d expect from a modern era Bruce Willis effort, even if he’s barely in it at all.

The concept is ripe for biting satire at how super-serving content can often by detrimental to art and creativity, but instead Space Jam: A New Legacy is a briefly and all-too-infrequently enjoyable hybrid of sports comedy and family drama that doubles as egregious product placement on the largest possible scale.

Black Widow isn't going to go down in the history books as top-tier Marvel Cinematic Universe content, but it's not too bad at all.

The Tomorrow War isn't as good as it could have been, but it's an entertaining enough sci-fi action blockbuster.

The Ice Road further cements Liam Neeson’s reputation as the only action star in the 60-70 age bracket worth his salt.

Hitman's Wife's Bodyguard is a perfectly acceptable buddy sequel, but it's all very uninspired and unoriginal.

Paramount+ has finally released its first major in-house exclusive movie, but it's an understatement to say that Infinite could be better.

In a time when identity, image and awareness are key to any discussion, A Quiet Place Part II demonstrates the possibilities of stories in the hands of those uniquely suited to explore them.

The Devil All the Time is an emotionally powerful look at familial trauma, religious corruption, and one man's will to challenge his fate.

The film plays with form the way Enola plays with words: dazzlingly, whimsically and sarcastically. It's a breezy escape from a world that seems to be getting darker by the day.

Cruella isn’t perfect by any means, but it’s an altogether different kind of Disney blockbuster that pivots from origin story to heist thriller via family drama and a pastiche of the cutthroat fashion industry with consummate ease, all anchored by a tour de force performance from the leading lady.

As a whole, Army of the Dead is big, loud, incredibly stupid and probably 20 minutes too long, but it’s a deliriously bonkers delight once it finally finds its footing.

It’s lean, mean, and boasts one hell of a lead performance, so fans of both sci-fi and the thriller in general will find a lot to love about Oxygen.

Wrath of Man is a slick action thriller from writer director Guy Ritchie, where retribution is only half the story.

Taslim, Sanada, Lawson and the gloriously R-rated fights elevate Mortal Kombat significantly, no doubt, and you can slap on another star if you’re a longtime fan of the series, but newbies will be left largely unimpressed.

Submerged is a whole mess of tension primed to leave viewers in an anxiety-induced pile of helplessness, which means it does its job pretty damn well.