We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. Elle
    It's hard not to anticipate many of Verhoeven's moves, but Isabella Huppert is too good to ignore in Elle.
  2. The Handmaiden
    A unique cherry blossom of a period piece finds its roots intertwined with an erotically-charged crime, set to shock and entrance viewers unaware of the free-spirited madness to follow. A cultural appropriation of submission, the male gaze and gender dominance, stretched until storytelling fabrics just begin to tear.
  3. 20th Century Women
    20th Century Women relegates a set of extraordinary female characters to supporting players in a standard coming-of-age narrative. It's entertaining, but also disappointing.
    • 83 Metascore
    • 60 Critic Score
    Belle
    With U, Belle could be a prescient reimagining of real-kei for a new age, but it never fully escapes the tired conventions of homage it so desperately wants to fit into this future.
  5. You Hurt My Feelings
    Tried, tested, and uninspiring - this four way relationship drama goes over old ground.
  6. The Survivalist
    Lean and mean, The Survivalist a realistically miserable apocalypse - and all the more terrifying for it.
  7. Loving
    Loving has Jeff Nichols' trademarks but it lacks the nuanced storytelling that made his previous films so successful.
  8. Silence
    It’s broody and disciplined, soaked in the pungent style of foreign auteurs who molded Scorsese’s own love of film – yet overburdened by a downward spiral lacking fire and unforgiving features.
  9. Furiosa: A Mad Max Saga
    While 'Furiosa: A Mad Max Saga' is highly entertaining, it fails to capture the chrome-painted perfection of 'Mad Max: Fury Road.' Instead, we end up with a bloated epic that focuses too much on world building and not enough on its titular character.
  10. The Lost City of Z
    Despite gorgeous cinematography and a strong cast, The Lost City of Z is a shallow and overly romantic film that falls into the trap of hero worship.
    • 78 Metascore
    • 40 Critic Score
    The People's Joker
    Its abstract foundation is incredibly fertile creative ground, but 'The People's Joker's nuclear, self-indulgent execution is the downfall to its buzzworthy rise.
    • 78 Metascore
    • 60 Critic Score
    1917
    While watching 1917, there’s a sense that you’re waiting for a fresh take or an interesting point that never comes. Audiences don’t need this movie to tell them that war is hell. But for those striving to get closer to experiencing that hell, Deakins and Mendes achieve something few war films before them have. They just needed a grander reason for doing so.
  13. Evolution
    Evolution is undeniably beautiful, but it's a small-scale story which ignores a larger world that needs far more exploration.
  14. Detroit
    Detroit is, for lack of a better term, a pornographic echo chamber of resentment. Trying to put out a fire with ten more tankers full of gasoline.
  15. mother!
    Your toleration of mother! will be determined by movie-going patience. Aronofsky is painting with some blistering broad strokes, but they’re just that – broad and undefined.
  16. Birdboy: The Forgotten Children
    Psychonauts, the Forgotten Children is bizarre, imaginative and beautiful, but it's also crying out for a stronger narrative.
  17. The Son of Joseph
    I can’t deny that Eugène Green is a talented, idiosyncratic director and his Son of Joseph has many visual and intellectual qualities to boast about. But it’s a film I appreciated much more than I actually enjoyed.
    • 73 Metascore
    • 40 Critic Score
    Air
    Vapid and meaningless, the consumer-friendly 'Air' tells a revolutionary story in the blandest, slickest way possible.
    • 73 Metascore
    • 40 Critic Score
    One Of Them Days
    The buck unfortunately stops at the inspired casting, reducing 'One of Them Days' to another destiny method comedy that might find viewers, but not an audience.
  20. El Camino: A Breaking Bad Movie
    A simple and simply satisfying seal, El Camino: A Breaking Bad Movie will, in no way, tarnish the alchemic legacy of its TV precursor, though it doesn’t do much to enhance it.
  21. Doctor Strange
    Doctor Strange is the psychedelic kung-fu spectacle that Marvel hoped director Scott Derrickson would deliver, but it’s got a strange problem – the doctor himself.
  22. Shang-Chi and the Legend of the Ten Rings
    Shang-Chi and the Legend of the Ten Rings isn't top-tier MCU, but it's a solid origin story anchored by two fantastic performances from Simu Liu and Tony Leung, as well as some of the franchise's best action.
  23. Molly's Game
    Aaron Sorkin’s indelible wit and naturally fervent performances from Jessica Chastain and Idris Elba prevent Molly’s Game from drawing dead.
  24. Lion
    Lion may be a little too Oscar-bait-y, but it's not without loud emotional roars.
  25. Rocketman
    A fantasy in nearly every sense of the word, Rocketman reaches for and grabs hold of the stars so often that the dazzle occasionally becomes too much to handle.
  26. The Little Hours
    The Little Hours is saved by Fred Armisen and Kate Miccuci, the only performers who don't suffer from the film's one-note delivery at some point.
  27. Girls Lost
    Girls Lost fills the magical realism, gender dysphoria, Swedish indie teen drama-shaped hole in your life. It's just a damn shame it all falls apart in the final act.
  28. The Birth of a Nation
    The Birth Of A Nation is not without inherent power, but Parker struggles to evoke anything besides surface tellings of textbook atrocities.
  29. I Am the Pretty Thing That Lives in the House
    A few images sear with the burning sensation of undead terror, but that only accounts for a few short minutes of an otherwise more-daunting-than-it-should-be cinematic exploration of death.
  30. The Blackcoat's Daughter
    The Blackcoat's Daughter aims for lofty satanic thrills, but gets lost in visuals that oversell a barbed but tangled nightmare.
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