Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The Overnighters is commendable for many reasons, not the least of which is the way it allows complex issues to remain complex.
  2. Rosewater doesn’t hector, nor does it giggle about the issue of press freedom. It’s an impressive and important piece of storytelling.
  3. It’s an exceptional film, not because of its protagonists’ impressive triumphs, but because it honors their struggle.
  4. The fact that Beyond the Lights is so effective at both celebrating and critiquing extravagance and artifice can be credited to Prince-Bythewood’s shrewd understanding of the highly pitched cinematic vernacular she’s working with. Even more crucially, when it came time to cast the transformational figure at her fable’s center, she found the real thing.
  5. Listen Up Philip makes literary talent seem less like a blessing than a curse.
  6. It’s appropriately melancholy, and yet there’s a sense that the movie only scratches the surface.
  7. The tale, from Brazilian writer-director Daniel Ribeiro, is told with such tenderness, such intelligence and such aching honesty that it takes on the weight of something far more significant than puppy love. Like its subject, first kisses and best friends, it’s hard to forget.
  8. Brown seamlessly blends the emotional, intimate stories of people with bigger pictures, using the explosion as the starting point for a ripple effect that just keeps growing.
  9. It would be nice to know if the troubling images we see are a sweeping problem or just a small glimpse of a minority.
  10. Force Majeure leaves the audience squirming — in all the very best ways.
  11. It’s a movie that’s as fun to watch as it is funny. But the real appeal of Big Hero 6 isn’t its action. It’s the central character’s heart.
  12. I’ll Be Me is an elevating experience, inviting the audience to bear witness to Campbell’s courage, humor and spiritual strength. His story may make for a tough movie, but it’s an important and triumphant one, as well.
  13. Interstellar tries so hard to be so many things that it winds up shrinking into itself, much like one of the collapsed stars Coop hurtles past on his way to new worlds. For a movie about transcending all manner of dimensions, “Interstellar” ultimately falls surprisingly flat.
  14. A gorgeous, magical and melancholy fantasia about the joy and pain of human existence.
  15. [A] sometimes fascinating, often convoluted, movie.
  16. Laggies possesses irrepressible cheer, optimism and an innate sense of ease that often go missing in angstier productions loosely organized under “Aging, fear of.” Unlike its sometimes annoyingly wishy-washy heroine, this is a movie that knows just where it’s going, and finds joy in the journey.
  17. [A] dreamy, entrancing and occasionally overstuffed documentary.
  18. Heedless of purpose, Horns charges full speed ahead anyway, ramming its high-concept hooey down your throat until the only heat you feel is from indigestion.
  19. The film is not without its pleasures. Kidman and Firth lend the pulpy material a certain prestige, even if Strong comes across as simply another plot device (and a perplexing one at that).
  20. The film has a sulfuric, Dostoyevskian quality — and sick sense of humor — that captures the muted aquarium that Los Angeles becomes at night, a spell that’s broken once plot overtakes mood.
  21. A lovingly laid-back documentary about the charms, liquid and otherwise, of the traditional Irish watering hole.
  22. 1,000 Times Good Night has moments of both startling violence and breathtaking beauty.
  23. Exciting, absorbing and stubbornly optimistic in the face of overwhelming devastation, E-Team will, with any luck, shed deserved light on the routine sacrifices these activists and professionals make for the sake of human values.
  24. Despite the decent performances, the script by first-time screenwriter Toni Hoover (who reportedly Googled “how to write a screenplay” after deciding to chronicle the story of her blinded football-playing friend) swings from flat to overly sentimental, while Baker’s rookie direction is predictable and occasionally confusing.
  25. There are slow bits, as Baumane delves into stories that are less interesting than others. But overall, her family history is rife with complex characters, and she brings them all to life in a loving, if scrutinizing, way.
  26. Editing these unwieldy stories into a cohesive, meaningful way must have been a massive undertaking. Editors Jenny Golden and Karen Sim did such an impressive job that even at two hours — an eternity for a doc — the movie never feels too long.
  27. Though Ouija starts off evoking a nicely eerie atmosphere of dread, it ultimately goes too far, making the liminal space between the spirit world and this one all too eye-rollingly literal.
  28. Citizenfour isn’t just a useful primer in the civil liberties and consent issues his disclosures raised. It humanizes a man who almost immediately became controversialized as a naive, self-important desk jockey or, worse, a handmaiden to terrorists everywhere.
  29. The bravura gestures work gorgeously in Birdman, as does the humor, which playfully balances the film’s most mystical, contemplative ideas with a steady stream of inside jokes and well-calibrated shifts in tone and dynamics.
  30. Like so many action movies, John Wick goes way beyond a reasonable carnage threshold. Brawls that are exciting in the beginning become dull as each sequence attempts to outdo the last. But John Wick has a more interesting story and better fights than most.

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