For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephanie Merry
The Overnighters is commendable for many reasons, not the least of which is the way it allows complex issues to remain complex.- Washington Post
- Posted Nov 13, 2014
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Reviewed by
Michael O'Sullivan
Rosewater doesn’t hector, nor does it giggle about the issue of press freedom. It’s an impressive and important piece of storytelling.- Washington Post
- Posted Nov 13, 2014
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Reviewed by
Ann Hornaday
It’s an exceptional film, not because of its protagonists’ impressive triumphs, but because it honors their struggle.- Washington Post
- Posted Nov 13, 2014
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Reviewed by
Ann Hornaday
The fact that Beyond the Lights is so effective at both celebrating and critiquing extravagance and artifice can be credited to Prince-Bythewood’s shrewd understanding of the highly pitched cinematic vernacular she’s working with. Even more crucially, when it came time to cast the transformational figure at her fable’s center, she found the real thing.- Washington Post
- Posted Nov 13, 2014
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Reviewed by
Michael O'Sullivan
Listen Up Philip makes literary talent seem less like a blessing than a curse.- Washington Post
- Posted Nov 6, 2014
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Reviewed by
Stephanie Merry
It’s appropriately melancholy, and yet there’s a sense that the movie only scratches the surface.- Washington Post
- Posted Nov 6, 2014
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Reviewed by
Michael O'Sullivan
The tale, from Brazilian writer-director Daniel Ribeiro, is told with such tenderness, such intelligence and such aching honesty that it takes on the weight of something far more significant than puppy love. Like its subject, first kisses and best friends, it’s hard to forget.- Washington Post
- Posted Nov 6, 2014
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Reviewed by
Stephanie Merry
Brown seamlessly blends the emotional, intimate stories of people with bigger pictures, using the explosion as the starting point for a ripple effect that just keeps growing.- Washington Post
- Posted Nov 6, 2014
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Reviewed by
Stephanie Merry
It would be nice to know if the troubling images we see are a sweeping problem or just a small glimpse of a minority.- Washington Post
- Posted Nov 6, 2014
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Reviewed by
Ann Hornaday
Force Majeure leaves the audience squirming — in all the very best ways.- Washington Post
- Posted Nov 6, 2014
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Michael O'Sullivan
It’s a movie that’s as fun to watch as it is funny. But the real appeal of Big Hero 6 isn’t its action. It’s the central character’s heart.- Washington Post
- Posted Nov 6, 2014
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Reviewed by
Ann Hornaday
I’ll Be Me is an elevating experience, inviting the audience to bear witness to Campbell’s courage, humor and spiritual strength. His story may make for a tough movie, but it’s an important and triumphant one, as well.- Washington Post
- Posted Nov 6, 2014
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Reviewed by
Ann Hornaday
Interstellar tries so hard to be so many things that it winds up shrinking into itself, much like one of the collapsed stars Coop hurtles past on his way to new worlds. For a movie about transcending all manner of dimensions, “Interstellar” ultimately falls surprisingly flat.- Washington Post
- Posted Nov 5, 2014
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Reviewed by
Michael O'Sullivan
A gorgeous, magical and melancholy fantasia about the joy and pain of human existence.- Washington Post
- Posted Oct 30, 2014
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Reviewed by
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- Washington Post
- Posted Oct 30, 2014
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Reviewed by
Ann Hornaday
Laggies possesses irrepressible cheer, optimism and an innate sense of ease that often go missing in angstier productions loosely organized under “Aging, fear of.” Unlike its sometimes annoyingly wishy-washy heroine, this is a movie that knows just where it’s going, and finds joy in the journey.- Washington Post
- Posted Oct 30, 2014
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Reviewed by
Stephanie Merry
[A] dreamy, entrancing and occasionally overstuffed documentary.- Washington Post
- Posted Oct 30, 2014
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Reviewed by
Michael O'Sullivan
Heedless of purpose, Horns charges full speed ahead anyway, ramming its high-concept hooey down your throat until the only heat you feel is from indigestion.- Washington Post
- Posted Oct 30, 2014
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Reviewed by
Michael O'Sullivan
The film is not without its pleasures. Kidman and Firth lend the pulpy material a certain prestige, even if Strong comes across as simply another plot device (and a perplexing one at that).- Washington Post
- Posted Oct 30, 2014
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Ann Hornaday
The film has a sulfuric, Dostoyevskian quality — and sick sense of humor — that captures the muted aquarium that Los Angeles becomes at night, a spell that’s broken once plot overtakes mood.- Washington Post
- Posted Oct 30, 2014
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Michael O'Sullivan
A lovingly laid-back documentary about the charms, liquid and otherwise, of the traditional Irish watering hole.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Michael O'Sullivan
1,000 Times Good Night has moments of both startling violence and breathtaking beauty.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Ann Hornaday
Exciting, absorbing and stubbornly optimistic in the face of overwhelming devastation, E-Team will, with any luck, shed deserved light on the routine sacrifices these activists and professionals make for the sake of human values.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Sandie Angulo Chen
Despite the decent performances, the script by first-time screenwriter Toni Hoover (who reportedly Googled “how to write a screenplay” after deciding to chronicle the story of her blinded football-playing friend) swings from flat to overly sentimental, while Baker’s rookie direction is predictable and occasionally confusing.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Stephanie Merry
There are slow bits, as Baumane delves into stories that are less interesting than others. But overall, her family history is rife with complex characters, and she brings them all to life in a loving, if scrutinizing, way.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Stephanie Merry
Editing these unwieldy stories into a cohesive, meaningful way must have been a massive undertaking. Editors Jenny Golden and Karen Sim did such an impressive job that even at two hours — an eternity for a doc — the movie never feels too long.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Michael O'Sullivan
Though Ouija starts off evoking a nicely eerie atmosphere of dread, it ultimately goes too far, making the liminal space between the spirit world and this one all too eye-rollingly literal.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Ann Hornaday
Citizenfour isn’t just a useful primer in the civil liberties and consent issues his disclosures raised. It humanizes a man who almost immediately became controversialized as a naive, self-important desk jockey or, worse, a handmaiden to terrorists everywhere.- Washington Post
- Posted Oct 23, 2014
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Ann Hornaday
The bravura gestures work gorgeously in Birdman, as does the humor, which playfully balances the film’s most mystical, contemplative ideas with a steady stream of inside jokes and well-calibrated shifts in tone and dynamics.- Washington Post
- Posted Oct 23, 2014
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Reviewed by
Stephanie Merry
Like so many action movies, John Wick goes way beyond a reasonable carnage threshold. Brawls that are exciting in the beginning become dull as each sequence attempts to outdo the last. But John Wick has a more interesting story and better fights than most.- Washington Post
- Posted Oct 23, 2014
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Reviewed by