For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ann Hornaday
As provocative as the questions it raises are — questions about connoisseurship vs. populism, personal expression vs. the market, and the dark arts of press, publicity and shrewd self-invention — the film’s achievements stay on the surface of those themes rather than plunging deeper.- Washington Post
- Posted Dec 23, 2014
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Reviewed by
Ann Hornaday
Through it all, Spall is equally enigmatic and transfixing: With his guttural croaks and barks, his Turner is often difficult to understand, but, thanks to Spall’s amazing physical performance and Leigh’s sensitive, information-laden direction, he’s never incomprehensible.- Washington Post
- Posted Dec 23, 2014
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Reviewed by
Ann Hornaday
There are several reasons to see Selma — for its virtuosity and scale, scope and sheer beauty. But then there are its lessons, which have to do with history, but also today: Selma invites viewers to heed its story, meditate on its implications and allow those images once again to change our hearts and minds.- Washington Post
- Posted Dec 23, 2014
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Reviewed by
Michael O'Sullivan
The aptly subtitled Night at the Museum: Secret of the Tomb is a blast of dead air and mummified humor.- Washington Post
- Posted Dec 18, 2014
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Stephanie Merry
There are some very funny moments in the movie, even for grown-ups, including a video of Will that goes viral. The absurd machinations of Will’s smarmy political adviser are also good for a laugh. But ultimately, Annie is so fixated on being current that it will never be more than a passing fancy.- Washington Post
- Posted Dec 18, 2014
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Reviewed by
Michael O'Sullivan
Jackson’s storytelling at this point is so driven by green-screen trickery and digital legerdemain that he seems to have forgotten about human emotion.- Washington Post
- Posted Dec 16, 2014
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Reviewed by
Ann Hornaday
The power of images — to distort, define, denigrate and celebrate — emerges with clarity and force in Through a Lens Darkly, a fascinating, visually stunning, emotionally devastating documentary by Thomas Allen Harris.- Washington Post
- Posted Dec 11, 2014
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Reviewed by
Michael O'Sullivan
The feature debut of writer-director Jennifer Kent is not just genuinely, deeply scary, but also a beautifully told tale of a mother and son, enriched with layers of contradiction and ambiguity.- Washington Post
- Posted Dec 11, 2014
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Reviewed by
Stephanie Merry
This biblical action drama that feels excessive in every way imaginable, from running time (nearly 2 1/2 hours) to melodramatic acting to the conspicuous amount of computer generation.- Washington Post
- Posted Dec 11, 2014
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Reviewed by
Ann Hornaday
Viewers may get the sense that The Imitation Game leaves Turing’s essential mysteries intact, but they will nonetheless find even the most public contours of his story ripe with drama, excitement and deeply affecting resonance.- Washington Post
- Posted Dec 11, 2014
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Reviewed by
Ann Hornaday
Admittedly, Top Five suffers from its share of too-convenient contrivances and clunky passages... But Top Five is also buoyantly self- sustaining, thanks in part to Rock and Dawson’s easy, convincingly seductive chemistry and some genuinely hilarious surprises.- Washington Post
- Posted Dec 11, 2014
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Reviewed by
Michael O'Sullivan
The air inside the pyramid isn’t the only thing that’s stale in this ludicrous yet mildly likable horror film.- Washington Post
- Posted Dec 5, 2014
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Reviewed by
Michael O'Sullivan
Yes, it features some of the most rapturous footage of calving glaciers and ice floes — alternately freezing and thawing — that you’re likely to have seen (much of it captured on equipment designed and built by the filmmaker). But it is the simple glimpses of ordinary life in an extraordinary place that are the most stirring moments in the film.- Washington Post
- Posted Dec 4, 2014
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Reviewed by
Michael O'Sullivan
Miss Julie is a strangely clinical movie experience. It’s a story that makes an impression without leaving a mark.- Washington Post
- Posted Dec 4, 2014
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Reviewed by
Stephanie Merry
Remote Area Medical is an incredibly tragic movie. It’s also an important one, reminding viewers that America is more than its coasts and cities. There are corners of the country we all too easily forget.- Washington Post
- Posted Dec 4, 2014
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Reviewed by
Ann Hornaday
Wild is an accomplished movie, and often a beautiful and moving one, but the woman at its center remains warily at arm’s length.- Washington Post
- Posted Dec 4, 2014
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Reviewed by
Stephanie Merry
Some of the portrayals are over-the-top in their villainy, and the dialogue, acting and music all tend to be melodramatic. But all of the overt heartstring-pulling doesn’t add much. Given the awful calamity, the truth would have been enough to amp up the emotions.- Washington Post
- Posted Nov 25, 2014
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Reviewed by
Ann Hornaday
VanDyke might have set out to give himself a crash course in manhood, but Point and Shoot gives us a crash course in the myriad and contradictory things the word has come to mean.- Washington Post
- Posted Nov 25, 2014
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Reviewed by
Mark Jenkins
It’s just a question of what route Angie and Marco will take to happiness. Yet their unsurprising journey is lively and entertaining, thanks in equal measure to the movie’s star and its director.- Washington Post
- Posted Nov 25, 2014
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Reviewed by
Michael O'Sullivan
The screenplay by John Aboud, Michael Colton and Brandon Sawyer has a fizzy, pop-culture pizazz, tempered by a distinctly vaudeville sensibility. It’s smart, but not brainy; dumb, but never inane.- Washington Post
- Posted Nov 25, 2014
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Reviewed by
Ann Hornaday
Even at its lamest and most entitled, this sequel will most likely please fans of the first installment, chiefly because Bateman, Sudeikis and Day are, admittedly, often very funny together.- Washington Post
- Posted Nov 25, 2014
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Reviewed by
Ann Hornaday
Foxcatcher exerts a mesmerizing pull, not only because it affords the chance to witness three fine actors working at the height of their powers, but also because it so steadfastly resists the urge to clutter up empty space with the filigree of gratuitous imagery and chatter.- Washington Post
- Posted Nov 22, 2014
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Reviewed by
Stephanie Merry
It’s an oddity, and all that strangeness is what makes the movie hard to shake.- Washington Post
- Posted Nov 20, 2014
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Reviewed by
Michael O'Sullivan
The movie is an intellectual puzzle, the outcome of which is never in doubt. Its minor thrills come not from not knowing what will happen, but from watching the cagey choreography of two acrobatic minds.- Washington Post
- Posted Nov 20, 2014
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Reviewed by
Michael O'Sullivan
The fate of these birds, which, the film tells us, could live into their 40s, becomes as engrossing as many a human drama.- Washington Post
- Posted Nov 20, 2014
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Reviewed by
Michael O'Sullivan
A glorified infomercial in defense of the holiday that contains about 15 minutes of actual content padded out with almost an hour of filler.- Washington Post
- Posted Nov 20, 2014
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Reviewed by
Ann Hornaday
It’s a joyless, surpassingly dour enterprise, but one that fulfills its mission with Katniss’s own eagle-eyed efficiency and unsentimental somberness.- Washington Post
- Posted Nov 19, 2014
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Reviewed by
Michael O'Sullivan
So maybe some of this is hilarious. Heck, maybe all of it is. It will not be everyone’s cup of tea, and it was not mine.- Washington Post
- Posted Nov 13, 2014
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Reviewed by
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Reviewed by
Stephanie Merry
A movie that’s visually stunning and often poetic, but also leaves too much unsaid.- Washington Post
- Posted Nov 13, 2014
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Reviewed by
Stephanie Merry
National Gallery could have used a few more edits; its long run time may limit its appeal. But the film is remarkably engaging and, with close looks at so many important pieces of art, bursting with beauty.- Washington Post
- Posted Nov 13, 2014
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