Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The movie finds charming humor in a world full of sectarian strife between Protestant and Catholic.
  2. Feels more like "Porky's" with marinara sauce than "Summer of '42."
  3. Although the cast is uniformly strong, the real revelation here is "The X-Files' " Anderson, who plays Lily with subtle gradations of emotional depth unexpected from someone who has made a career out of deadpan.
  4. The jokes are lame, the set-up is stupid and Bullock, occasionally a winsome comedienne and here a co-producer, is annoying as heck.
  5. Relentlessly funny satire.
  6. As a Coen brothers fan I hate to say this, but the movie's a collection of great bits and pieces rather than a complete work.
  7. If there's anyone who can make this ordeal -- and when you're plumb out of characters, it can be an ordeal -- tolerable, and even entertaining, it's Hanks.
  8. Nothing more, or less, than a cheap, dirty grab at our Christmas spirit.
  9. Manages to take the cerebral act of literary creation and make it exciting, sexy even.
    • 62 Metascore
    • 30 Critic Score
    So chock-full of stereotypes as to be a filmic Southern Country Safari.
  10. Unfortunately, the actors seem overqualified for their parts, delivering earnest monologues that come across as clumsy transplants from the proscenium stage.
  11. A hip, hilarious new animated feature.
  12. Gibson and the overexposed Hunt don't exactly burn up the screen, not that it much matters. The charm isn't in the relationship, it's in Gibson's puckish appeal.
  13. I can only bestow this adaptation of Joanne Harris's bestselling novel with such faint praise as "pleasant" and "mildly disarming."
  14. The characters are as thin as the air at 26,000 feet, and the story as silly as anyone willing to assault K2 in a punishing blizzard.
  15. Stinketh like the breath of a dyspeptic dragon.
  16. Proof of Life isn't a movie. It's an overpriced scrapbook.
  17. Magnificently nonchalant about its magic.
  18. You realize this is a story about the life beyond this movie, about the great changes in life we never give ourselves time to consider. And for a moviegoing experience, that's a lot of bang for your buck.
  19. So dull and formulaic, it ought to be leashed and led directly to the doghouse.
  20. I was hooked from beginning to end.
  21. Rush is too sinfully good for the drama he's in.
  22. It's a love story, yes, but one whose sweetness is cut by honest performances, a sharply drawn supporting cast and a fairly serious, yet never self-pitying, tone.
  23. A confection that is ultimately better because of its bitterness.
  24. The film, built of interviews with participants, is fast-paced, utterly absorbing and ultimately tragic.
  25. Your children are almost certain to have a great time.
    • 49 Metascore
    • 30 Critic Score
    Neither smart nor exciting enough to justify the effort.
  26. It's not Christmas that's being stolen here. It's the spirit of Dr. Seuss.
  27. Pfarrer's screenplay feels older than the Martian hills.
  28. Storytelling like this weighs heavier than a standard diving suit, and it's really up to you, if you're ready to take the plunge.

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