Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Someone forgot to remind Duvall to write an ending.
  2. This sloppily made, poky, extra cheesy adventure is virtually a remake of "Armageddon."
  3. Though the comedy falls short of a debacle -- which is what such egocentric projects tend to be -- it isn't as sharp, fast or funny as Rock's stand-up routines.
    • 83 Metascore
    • 80 Critic Score
    As fresh -- and as restorative -- as a lemon ice on a hot day.
  4. They made a movie without one basic ingredient: the story.
  5. As it stands, this movie seems to have conflicting desires: to endear itself to the audience and then repel it.
  6. Sure it's slight, but also as cute as the curly tail on its tender protagonist.
  7. A smutty, imbecilic farce.
  8. There's not much zest here, even with Mike Myers's energetic attempts to steal the movie as a cross-eyed flight instructor.
  9. The movie, which Carion wrote with Eric Assous, has a calming quality. The story moves slowly but, given the milieu and pace of life, this seems perfectly appropriate.
  10. All in all -- well, there is no all in all. There are just parts. Some fit, some don't. Some are cool, some aren't. It's the craziest thing you ever saw.
  11. This is a one-riff movie and instant cult classic.
  12. Has so little going for it, you wonder if you've missed something.
  13. If you only live twice, spend both lifetimes avoiding it.
  14. The title (which translates, essentially, as "burned out") is an apt description of the film itself: a hot and smoldering shell.
  15. You seldom leave a theater walking on air, much less float all through a movie. But the joyous Bend It Like Beckham never lets you down.
  16. McDormand is the best thing about Laurel Canyon. She's also the most unfortunate victim of a film that seems unable or unwilling to give even its most intriguing and compulsively watchable character her due.
    • 72 Metascore
    • 60 Critic Score
    What rescues the film is Gernot Roll's spare, almost aesthetic cinematography, and the quality of the acting.
  17. The rare film that is capable of offending both Trent Lott and Al Sharpton.
  18. None of them is nasty enough to be interesting, nor nice enough to be sympathetic.
  19. Fails because of its gratuitous rape and violence and also because of its pretentious and intellectually one-dimensional grounds, which make the violence at the end feel even worse.
  20. This is an odd amalgam of bleeding-heart sentimentality and over-the-top guts-and-glory action. You're not sure how to feel. But you're certainly not as moved and stunned as you were in "Black Hawk Down."
  21. Ten
    Shows us, in an extraordinarily simple way, the hopes and frustrations of one woman's life.
  22. It's saying something when Tom Arnold's performance is among the movie's highlights.
  23. A thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people, seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause.
  24. Like the director, the cast seems to have burrowed into the material, made all the more wrenchingly realistic by Dogme precepts.
  25. I'd recommend you actively or passively forget this one.
  26. The movie ends not with a bang but a wimp.
  27. It's an intriguing experience.
  28. Less a movie than a meticulously, tediously accurate Civil War reenactment committed to celluloid.

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