Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. There's a flatness about the whole enterprise -- like drinking champagne, but from an old house slipper. Re: his performance, Clooney is terrific. His comparison to old movie stars is not just hype. He really does possess the combination of supreme confidence and humility that has been the hallmark of the biggest male Hollywood stars.
  2. Fractured, tentative, oh-so-artsy and very much in the style of Wong's previous Hong Kong-set boy-meets-girl movies. But this time, the effect is contrived: a star-driven pseudo-indie affair that will please neither celebrity worshipers nor cineastes.
  3. Even as the derivative roots of Nim's Island are clearly visible, kids will no doubt vicariously enjoy Nim's adventures and Edenic existence. And how refreshing, for once, to see a girl embark on derring-do that, in Nim's own words, makes her the hero of her own story.
  4. Vibrant and engaging documentary.
  5. It's a world where every emotion feels like the earth moving, and where the shifting tectonics of young lust and friendship, along with the lifelong lessons of a broken heart, have never felt more real.
  6. It's not a great movie, but Yu Nan's performance is superb without being showy or melodramatic.
  7. The joy of this movie, which features Joss Ackland as a memorably intimidating, Afrikaner-accented boss, is in the gradual revelation of intrigue.
  8. Rather like the faltering way Dennis runs the race, Pegg the performer insists that we keep watching, ever hopeful for a decent gag. And we spend most of our time thinking back to movies that better showcased his talents, such as "Shaun of the Dead" and "Hot Fuzz."
  9. 21
    The story may be based on real events, but most of it feels patently false.
  10. Although the movie never quite dispels the sense of being dated (it could have been made anytime in the past 40 years), it's a memorable, often moving timepiece.
  11. Tautou is a delight, as always, using her bubbly personality to comic advantage. And Elmaleh makes for a sort of poor man's Buster Keaton, perpetually stressed but refusing to surrender, no matter how much damage he sustains to himself or his wallet.
  12. It's a remarkably entertaining movie, thanks in part to a first-rate cast and a director who knows you can't make a point without calling everyone to attention.
  13. The frequent, mundane talks -- which Alexandra engages in with her grandson, Malika and the base camp's enlisted men -- are not so much about politics as they are about people.
  14. Owen Wilson phones it in with Drillbit Taylor, a by-the-numbers teen comedy.
  15. Wildly uneven but often quite funny, The Grand allows its actors to act out, get the "E!" out of their systems and give the Christopher Guest treatment to professional gambling without Christopher Guest, with whom it would have been funnier and a lot more acerbic.
  16. Yes, it's weird. But it's wild card weird, with that thrill of never knowing what's coming next or when these Parisians are going to get musical on us.
  17. For all the energy and personality of its subjects, Planet B-Boy tends to drag, especially toward the competition finals.
  18. It is, however, a baby boomer's treat to see Faithfull, romancer of Mick Jagger back in the day and a pop siren in her own right, show her qualities as an actor. One is hopeful she'll find her way to other, better projects.
  19. Thanks to the uncommonly shrewd judgment of screenwriter Ligiah Villalobos and director Patricia Riggen, both newcomers, the film never feels like rank exploitation, even as it steadily aims for the emotional jugular.
  20. It does honor the book's flavor and spirit with a bright, funny treatment. Voice performers Jim Carrey (as Horton) and Steve Carell (the Mayor) play their roles just right, without making the movie about them.
  21. Sitting through this is groan-inducing enough, but it's spiritually depressing to watch Djimon Hounsou, who deserves better.
  22. An inert, sloppily written melodrama as grim and featureless as its frozen Midwestern setting.
  23. While the movie's star -- and ruler, and ship's captain, and grand poobah -- is Haneke himself, his actors are sublime.
  24. One part Joseph Campbell hero quest, one part multi-culti morality tale, one part live-action "Flintstones" cartoon, 10,000 B.C. is finally every part just plain nuts, from a hike featuring more ecosystems than an Al Gore documentary to a wacky climax set amid pyramids that -- you'll e-mail me if I'm wrong -- wouldn't have been built for another 7,000 years or so.
  25. What makes director Roger Donaldson's movie greater than zany heist fare is that this particular robbery really happened and that this episode illuminated an almost moral clash between the haves and the have-nots of Great Britain.
  26. Perhaps there will be people who do laugh at Lawrence and Raven-Symon screaming in tandem, or mugging their way along every tortured mile of their road trip, or unwittingly joining a sky-diving club and having to parachute into Washington so Melanie can make her interview. Heck, it was all really funny when they did it on "I Love Lucy."
  27. An engaging romance noir, a sort of updated "The Postman Always Rings Twice" that packs its surprises into four characters, none of them predictable.
  28. The film's flaws are nothing compared with the pleasures it offers, chiefly in its unapologetic pursuit of old-fashioned sweetness and romance.
  29. Van Sant is such an assured filmmaker that Paranoid Park is almost inescapably absorbing; he has found a particularly engaging leading man in Miller, whose expressive, even painterly face goes from blank to angelic in the blink of a long-lashed eye.
  30. Despite the foibles that have affected his films, the dramatic image has always been important to Green, who has developed quite a cult following and deserves it.

Top Trailers