Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. So childish it seems to arrive in diapers, and that's not bad; it's good.
  2. Baghead provides a diverting showcase for actors you may never have heard of but who deserve a shot at fame and fortune.
  3. The real question is whether the film moves the "Brideshead" ball down the playing field in any meaningful way since the acclaimed miniseries. And I'd have to say that it doesn't so much advance it as it shrinks it into a golf-ball-size nugget.
  4. Gracefully explores Mobile's Mardi Gras celebrations and profiles the young people playing at royalty at these ceremonies' hearts.
  5. What makes Nanette Burstein's movie so powerful is its uncanny sense of familiarity.
  6. One of the great strengths of CSNY is how skillfully it deflects criticism of "four balding hippie millionaires" taking to the stage to criticize American politics; the film is peppered with excerpts from some of the tour's earliest and nastiest critics.
  7. It's beautiful. I loved it. And it broke my heart.
  8. You keep waiting for the movie to clarify, to settle down to its archetypal purity: icon of psychotic evil against icon of neurotic good. Music by Wagner in his "Götterdämmerung" mood, screenplay by Nietzsche, with additional lines by Babaloo Mandel. Oh, what a great big movie wallow, what a transformational blast of cine-pleasure. It never quite arrives
  9. This is a movie guaranteed to please crowds, if only because it insists on their affection so strenuously.
  10. Kids sense when a movie is being noisy and frantic just to keep them distracted; these apes are overcaffeinated.
    • 72 Metascore
    • 80 Critic Score
    All in all, the film is an excellent, if modest, alternative for moviegoers who have been blockbustered into submission this summer.
  11. As he has done in all his movies, from creature features such as "Mimic" to serious dramas such as "Pan's Labyrinth," del Toro creates unforgettable images, filled with color, texture, lyricism and horror.
  12. Terrific family entertainment, an action comedy on a par with "Night at the Museum" and "National Treasure."
  13. The kind of bland, generic, high-concept midsummer comedy that drives a critic to the thesaurus in search of new ways to say "vapid."
  14. Sometimes art imitates life; sometimes it is life. If the market gets any worse, Days and Clouds could kill realism outright.
  15. It seems to celebrate him more for his attitude, his fashionably leftist politics, his fame and his friendships than for any meaningful accomplishment.
  16. The dopest thing about The Wackness is Thirlby, who, after supporting turns in "Juno" and "Snow Angels," is quickly becoming reason enough to see any film she's in.
    • Washington Post
  17. A crafty, swift, subtly stylish thriller.
  18. The problem is that director Peter Berg, aided and abetted by Smith and Theron and third banana Jason Bateman, seem to have made it literally, not realizing its out-of-whack tonalities and grotesque plot twists were meant to be played for laughs.
  19. A slight, modestly funny comedy.
  20. The idea that a company in the business of mainstream entertainment would make something as creative, substantial and cautionary as WALL-E has to raise your hopes for humanity.
  21. With its pounding, bloody violence, foul-mouthed language and putrid worldview, Wanted isn't comic book-y on a par with "Iron Man" or "The Incredible Hulk." Rather it's an example of revenge of the nerds at its nastiest and most vulgar.
    • 59 Metascore
    • 50 Critic Score
    For all the flash and dazzle, Gunnin' for That #1 Spot never comes close to the power and intimacy of 1994's "Hoop Dreams." The comparison may be unfair, but, given the subject matter, it's inevitable.
  22. What becomes clear is that Trumbo's humor is only one thing that helped him survive the professional and personal hardships of the blacklist, which drove more than one of his Hollywood friends to kill themselves and took a toll on Trumbo's children.
    • 52 Metascore
    • 40 Critic Score
    Elsa & Fred feels not substantial enough to bear the weight of its themes. It dissolves like cotton candy, making proper digestion impossible. The life it shows us is too sweet.
  23. Argento and Aattou deliver appropriately outsize performances to fit the movie's sense of extravagant escapism, and Claude Sarraute delivers a slyly witty performance as the elderly lady carried away by Ryno's Scheherazade-like tale.
  24. As for Hathaway, she's a revelation. Those eyes are still as big as Beamer hubcaps, but she's able to show more edge than her previous goody-goody roles have allowed.
  25. The results are a wheezy, tired attempt to milk more laughs out of the '60s, by doing exactly what "Austin Powers" did.
  26. Even as Brick Lane manages to sidestep one formula, it falls prey to another.
  27. The director, Patricia Rozema, has a rare talent: She gets third-rate performances out of first-rate performers with almost startling efficiency. All are bland, some hardly exist at all, and as performance, the whole thing seems a waste.

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