Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Igor may be the most important composer of the 20th century, but he is a mere human. Coco, in this beautiful but indulgent French film, is a work of art.
  2. A tough movie to love.
  3. The yuck factor spins off the charts in Splice, a thoroughly repulsive science fiction-horror flick that slicks up its B-movie tawdriness with high-gloss production values and two otherwise classy stars.
    • 65 Metascore
    • 50 Critic Score
    Unlike its forebears, "Greek" lacks a truly sympathetic central character to hold things together when it's time to get sappy.
  4. The movie itself is already like one long commercial.
  5. Micmacs brings an infectious note of caprice to the old-fashioned caper film.
  6. An energetic if empty-headed adventure based on the popular video game.
  7. Agora, Alejandro AmenĂ¡bar's absorbing historical drama, proves that, in an era of movies made for iPhones with artistic ambitions to match, there are still filmmakers willing to swing for the fences.
  8. The biggest sin of Sex and the City 2 is its lack of beauty. It's garish when it should be sumptuous, tacky when it should be luxe, wafer-thin when it should be whip-smart and sophisticated.
  9. Believe it or not, there's life in the old boy yet. After a disappointing third outing, this "Shrek" brings the cycle of fairy-tale-themed films to a fine finish.
    • 43 Metascore
    • 38 Critic Score
    For all the wacky, taboo, parodic situations that MacGruber plunges into, the film seems content to simply point at its hero, yell "What a schmuck!" and leave it at that.
  10. Except for the last five minutes, Robin Hood is the story of the radicalization of some guy named Longstride. Who?
  11. Save yourself 10 bucks, and an hour and 45 minutes of your precious time.
  12. Telegraphs its every move. There are simply no surprises.
  13. "Everything is achievable through technology," a character says more than once in Iron Man 2. Not so.
  14. Gibney's documentary strains to make sense of the minutiae without losing the audience's attention over its formidable, two-hour length.
  15. Garca brings his finely calibrated sense of drama to the subject of adoption, which he handles with characteristic restraint and insight -- at least until the film's maudlin, too-pat finale. That sharp melodramatic turn is a shame, because so much of what has gone before in Mother and Child is of real quality.
  16. A mesmerizing and weirdly manipulative experience.
  17. Good ol' Fred loses any sense of playful shock he once possessed and turns into a generic figure meticulously manufactured to simultaneously gross and freak us out. It doesn't work.
  18. The problem, or problems, stem from the lazy, unfunny script; the weak computer-generated animals (never have God's creatures looked less lifelike while dancing to Chic's "Le Freak"); and the squandering of so much talent.
  19. Michael Caine delivers a stunning performance in Harry Brown, a rancid little revenge fantasy that probably doesn't deserve him.
  20. Holofcener has accrued a rabid, loyal following for her singular brand of observant wit and aching tenderness. Both pour forth in abundance in Please Give, a wry, wistful portrait of contemporary urban manners.
  21. A not-as-bad-as-you-think-it-is romantic comedy.
  22. The first dumb-fun action movie of the summer season has arrived early with The Losers, a loud, loving homage to guns and testosterone based on a series of comic books about a renegade band of CIA operatives. How dumb is it? You might actually kill a few million brain cells just watching it.
    • 75 Metascore
    • 50 Critic Score
    But for all Oceans does to please the eyes and ears, it does nothing to engage the brain.
  23. Still, if for the most part Death at a Funeral is as tame as the tasteful parlor where most of its action takes place, it manages to explode one taboo, in casting mostly black actors in roles originally played by whites.
  24. Kick-Ass should delight fans of the original comics and garden-variety action junkies as well. Suggested subtitle: "Iron Man, You Just Got Served."
  25. Unfortunately, the movie's second half drags, never again achieving the first half's level of narrative dexterity.
  26. An elegant romantic thriller adapted from a novel of the same name, is a terrific film.
  27. Regardless of the silliness of the situation -- or, in truth, because of it -- they're a joy to watch.

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