For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dan Kois
Igor may be the most important composer of the 20th century, but he is a mere human. Coco, in this beautiful but indulgent French film, is a work of art.- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
The yuck factor spins off the charts in Splice, a thoroughly repulsive science fiction-horror flick that slicks up its B-movie tawdriness with high-gloss production values and two otherwise classy stars.- Washington Post
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Unlike its forebears, "Greek" lacks a truly sympathetic central character to hold things together when it's time to get sappy.- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
Micmacs brings an infectious note of caprice to the old-fashioned caper film.- Washington Post
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Reviewed by
Michael O'Sullivan
An energetic if empty-headed adventure based on the popular video game.- Washington Post
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Reviewed by
Ann Hornaday
Agora, Alejandro AmenĂ¡bar's absorbing historical drama, proves that, in an era of movies made for iPhones with artistic ambitions to match, there are still filmmakers willing to swing for the fences.- Washington Post
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Reviewed by
Ann Hornaday
The biggest sin of Sex and the City 2 is its lack of beauty. It's garish when it should be sumptuous, tacky when it should be luxe, wafer-thin when it should be whip-smart and sophisticated.- Washington Post
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Reviewed by
Michael O'Sullivan
Believe it or not, there's life in the old boy yet. After a disappointing third outing, this "Shrek" brings the cycle of fairy-tale-themed films to a fine finish.- Washington Post
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For all the wacky, taboo, parodic situations that MacGruber plunges into, the film seems content to simply point at its hero, yell "What a schmuck!" and leave it at that.- Washington Post
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Reviewed by
Michael O'Sullivan
Except for the last five minutes, Robin Hood is the story of the radicalization of some guy named Longstride. Who?- Washington Post
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Reviewed by
Michael O'Sullivan
Save yourself 10 bucks, and an hour and 45 minutes of your precious time.- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
"Everything is achievable through technology," a character says more than once in Iron Man 2. Not so.- Washington Post
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Reviewed by
Philip Kennicott
Gibney's documentary strains to make sense of the minutiae without losing the audience's attention over its formidable, two-hour length.- Washington Post
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Reviewed by
Ann Hornaday
Garca brings his finely calibrated sense of drama to the subject of adoption, which he handles with characteristic restraint and insight -- at least until the film's maudlin, too-pat finale. That sharp melodramatic turn is a shame, because so much of what has gone before in Mother and Child is of real quality.- Washington Post
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- Washington Post
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Reviewed by
Jen Chaney
Good ol' Fred loses any sense of playful shock he once possessed and turns into a generic figure meticulously manufactured to simultaneously gross and freak us out. It doesn't work.- Washington Post
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Jen Chaney
The problem, or problems, stem from the lazy, unfunny script; the weak computer-generated animals (never have God's creatures looked less lifelike while dancing to Chic's "Le Freak"); and the squandering of so much talent.- Washington Post
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Reviewed by
Ann Hornaday
Michael Caine delivers a stunning performance in Harry Brown, a rancid little revenge fantasy that probably doesn't deserve him.- Washington Post
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Reviewed by
Ann Hornaday
Holofcener has accrued a rabid, loyal following for her singular brand of observant wit and aching tenderness. Both pour forth in abundance in Please Give, a wry, wistful portrait of contemporary urban manners.- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
The first dumb-fun action movie of the summer season has arrived early with The Losers, a loud, loving homage to guns and testosterone based on a series of comic books about a renegade band of CIA operatives. How dumb is it? You might actually kill a few million brain cells just watching it.- Washington Post
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But for all Oceans does to please the eyes and ears, it does nothing to engage the brain.- Washington Post
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Reviewed by
Ann Hornaday
Still, if for the most part Death at a Funeral is as tame as the tasteful parlor where most of its action takes place, it manages to explode one taboo, in casting mostly black actors in roles originally played by whites.- Washington Post
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Reviewed by
Ann Hornaday
Kick-Ass should delight fans of the original comics and garden-variety action junkies as well. Suggested subtitle: "Iron Man, You Just Got Served."- Washington Post
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Reviewed by
Dan Kois
Unfortunately, the movie's second half drags, never again achieving the first half's level of narrative dexterity.- Washington Post
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Reviewed by
Ann Hornaday
An elegant romantic thriller adapted from a novel of the same name, is a terrific film.- Washington Post
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Reviewed by
Michael O'Sullivan
Regardless of the silliness of the situation -- or, in truth, because of it -- they're a joy to watch.- Washington Post
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