For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephanie Merry
While the title alone may send people into a tizzy, this actually isn't a movie about which side is right or wrong.- Washington Post
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Reviewed by
Ann Hornaday
Dinner for Schmucks has already raised hackles in the Yiddish-speaking community for the breathtakingly offensive epithet in its title (and it's not "dinner"). But it turns out that this comedy of humiliation, starring Paul Rudd and Steve Carell, isn't nearly as off-putting as it might have been.- Washington Post
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Reviewed by
Michael O'Sullivan
Charlie St. Cloud, like its star Zac Efron, is a gorgeous, unblemished thing. Both would be much improved with a tiny flaw or two.- Washington Post
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Reviewed by
Dan Kois
Is it mindless fun for the kids in an air-conditioned environment? I guess, sure, but it's maddening how many details in Cats & Dogs: The Revenge of Kitty Galore are swiped wholesale from other stories.- Washington Post
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Reviewed by
Sean O’Connell
Swifter comedic timing and a clearer narrative thread might have helped center this peculiar adaptation of Jonathan Ames's 1998 novel of the same name.- Washington Post
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Reviewed by
Ann Hornaday
It's as soothing and pure as the sweetest water from the deepest well.- Washington Post
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Reviewed by
Ann Hornaday
Funny? Scary? Entirely logical? It all depends on your point of view, of course, and "What's the Matter With Kansas?" isn't likely to move viewers one way or another.- Washington Post
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Ann Hornaday
It's popcorn pulp that collided -- at 100 mph, natch -- with a far more sober and crafty grown-up movie.- Washington Post
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Dan Kois
Knits together scenes and themes from all eight of Cleary's Ramona Quimby novels into a sweet and funny, if slightly overlong, portrait of life on a modern-day Klickitat Street.- Washington Post
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Reviewed by
Ann Hornaday
Alternately edifying and alarming film about nuclear proliferation.- Washington Post
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Reviewed by
Ann Hornaday
Inception is that rare film that can be enjoyed on superficial and progressively deeper levels, a feat that uncannily mimics the mind-bending journey its protagonist takes.- Washington Post
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Michael O'Sullivan
As Balthazar, Cage doesn't disappoint. He's just manic enough to keep the character from becoming too predictable.- Washington Post
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Ann Hornaday
Arrives as the perfect midsummer movie, a comedy about a flawed-but-functional family that, like "Toy Story 3," captures the drama of growth and separation in all its exhilaration and heartache.- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
Hang in there and Despicable Me turns into an improbably heartwarming, not to mention visually delightful, diversion.- Washington Post
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Michael O'Sullivan
All too often, the second movie of a trilogy is a bridge. ("The Matrix Reloaded," anyone?) As often as not, it feels more like the first half of the last movie than a film in its own right. The Girl Who Played With Fire is no exception.- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
Playing a hero who's meant to be something akin to the young Dalai Lama, Ringer brings less than zero gravitas to the role. He makes the kid who plays Gibby on "iCarly" look like Sir Laurence Olivier.- Washington Post
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Ann Hornaday
If Slade doesn't necessarily advance the medium with this installment, he nonetheless advances the franchise, with enough lucidity and skill that he's persuaded at least one erstwhile agnostic to take a stand.- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
Wild Grass might be the strangest film I've seen all year. Maybe all millennium. Is it any good? Quite frankly, I have no idea.- Washington Post
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Michael O'Sullivan
It's both straight-faced spy film and sly spy spoof. That's a difficult balancing act, but director James Mangold gets it exactly right.- Washington Post
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Michael O'Sullivan
Jonah Hex may not be the longest 81 minutes you ever spend, but it might well be the most tedious.- Washington Post
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Ann Hornaday
Even at its most troubling, Cyrus is powered by a deep vein of humanism, one that offers hope to even the weirdest among us.- Washington Post
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Ann Hornaday
As a full-on celebration of beauty in all its forms, this gem of a contemporary melodrama invites viewers to plunge into a world of unerring taste and luxury, where even tragedy comes softly when it inevitably arrives.- Washington Post
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Ann Hornaday
Lasseter and his team plunge the audience into a collective case of empty- nest syndrome, with a dash of mortal terror thrown in for grins. And again, they make it work.- Washington Post
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Dan Kois
For a movie about a groundbreaking gay rebellion, Stonewall Uprising plays it much too straight.- Washington Post
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Reviewed by
Ann Hornaday
The new Karate Kid brings fresh life and perspective to the classic tale of perseverance and cross-generational friendship, thanks to Harald Zwart's sensitive direction and two exceptionally appealing stars.- Washington Post
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Reviewed by
Ann Hornaday
A thoroughly unnecessary but nonetheless satisfying adaptation of the cheeseball 1980s TV series.- Washington Post
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Reviewed by
Michael O'Sullivan
The insecurities that seem to feed Rivers's often angry humor -- and that have left her face looking like a mask frozen in horror -- are left unexamined.- Washington Post
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