Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. With such classics as "El Norte" and, more recently, "Sin Nombre" and "Under the Same Moon" having addressed the subject matter already and so well, viewers might be forgiven for asking just how many immigration movies we need. As A Better Life proves, as many as there are stories to tell.
    • 76 Metascore
    • 75 Critic Score
    The lines are drawn early on in "Beats," which is surprisingly tense and combative given the overwhelmingly positive and playful music in the band's catalogue. But that makes what could have been a sappy, fanboy loveletter a compelling look at the group's inner workings.
  2. Some movies prove so eye-opening that a viewer may feel the urge to recount the story, start to finish, to friends and acquaintances. Crime After Crime is that kind of film.
  3. If Kunis gets the showier role in Friends With Benefits, Timberlake proves a quietly charming stalking horse, finally claiming and fully owning the spotlight with a hilarious homage to the 1990s rap duo Kriss Kross.
  4. Captain America might hold the most promise, not just of saving the world, but of saving comic book movies from themselves.
  5. McKinney, a woman whose spellbinding and baffling presence - nay, performance - in Tabloid more than lives up to her recent off-screen antics.
  6. Tender, observant coming-of-age comedy.
  7. A memorable return to the Hundred Acre Wood and a lively, interactive adventure that should delight everyone from wide-eyed preschoolers to nostalgic grandparents.
  8. With its heartening final note of hope and renewal, Deathly Hallows -- Part 2 provides an altogether fitting finale to a series that has prized the fans above all.
  9. Pratfalls and agonizing tumbles appear to be James's business, and man, business is booming.
  10. Scorchingly raunchy - and yes, pretty funny.
  11. Kristin Canty's surprisingly engrossing documentary, a worthy addition to the growing annals of movies and books advocating for sustainable farming methods.
  12. What is their passion for? Not newspapers, or even a single newspaper, per se, but for journalism itself, the practice of which is nowhere stronger than at the Times. That, at least, is how Page One argues it. It's a compelling argument.
  13. The film's real problem is that it can't seem to make up its mind about whether it wants to frighten us or make us laugh.
  14. Dependable entertainment for young girls.
  15. It's a light and breezy, recession-themed romantic comedy; "Up in the Air" without all the angst and introspection.
  16. Dark of the Moon is capable of having a little fun with itself. In one scene, mini-Autobots watch "Star Trek'' on TV, not noticing that Spock has the same voice as Sentinel Prime, the formerly moon-stuck 'bot who's rescued and revived in order to play a major role in this installment.
  17. This fitfully funny but mostly dull misfire defines exactly where the line can be drawn between truly subversive humor and lazy cynicism.
  18. It isn't as sad a movie as "Joan Rivers: A Piece of Work," another behind-the-mask documentary. It's funnier. But it's just as illuminating.
  19. Lovely scenery and historical context elevate the sentimental story lines above the soap opera domain.
    • 76 Metascore
    • 88 Critic Score
    You don't have to be a horse nut to fall for Buck, one of those rare documentaries whose subject is so inherently fascinating that a fictional character could hardly compete.
  20. Have you ever been trapped in the back seat of a car while the old married couple up front bickers and banters for hours? It's either sheer torture or, if the couple happens to be Steve Coogan and Rob Brydon, wildly entertaining.
  21. Unfortunately, the sequel shortchanges the very relationships that gave the first movie its surprising heart.
  22. During the movie's awww-inducing conclusion, those of you who are allergic to cuteness - or to Jim Carrey - might want to look away.
  23. The real value of poetry - of the contest itself - is not revealed until the closing credits, when we see the impressive list of colleges that the movie's four subjects have gone on to.
  24. There's no sense of perspective here.
  25. It's neither amusing nor exciting enough to ensure a long-running franchise.
  26. It's a muscular, physical movie, pieced together from arresting imagery and revelatory gestures, large and small.
    • 37 Metascore
    • 38 Critic Score
    With summer comes theaters filled with superheroes, sequels and forgettable family fare. In the last category, we find Judy Moody.
  27. For much of the film, this is very funny and fairly original stuff, though Submarine starts to run aground about the time that Jordana and Oliver's relationship does.

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