For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael O'Sullivan
D'Souza makes it all sound almost plausible, but only if you're predisposed to believe that Obama hates America. It's bashing, all right, but with a velvet-gloved fist.- Washington Post
- Posted Aug 27, 2012
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Reviewed by
Stephanie Merry
The summertime diversion will give audiences a little jolt of nervous energy along with a few laughs. A rush is about making the most of the present, not creating lasting memories.- Washington Post
- Posted Aug 23, 2012
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Reviewed by
Stephanie Merry
There's only so much an actor can do with lifeless dialogue. It's hard to blame the cast for looking less than committed; they all realized too late that Shepard created a monster.- Washington Post
- Posted Aug 22, 2012
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Reviewed by
Stephanie Merry
If nothing else, the movie reminds filmgoers just how difficult it can be to pull off the multi-thread approach. Sometimes it's possible to take a spool of yarn and, with care and consistency, knit a stunning creation. 360 looks more like what happens when a cat gets ahold of the ball.- Washington Post
- Posted Aug 16, 2012
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Ann Hornaday
Oslo, August 31st builds to an unforgettable climax, a bravura sequence that starts at a party, crawls through a variety of nightclubs and raves, and ends on a note of utterly surprising lyricism.- Washington Post
- Posted Aug 16, 2012
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Sean O’Connell
A colorfully macabre stop-motion animation comedy that embraces the sociopolitical allegories of George A. Romero's zombie pictures and reworks them into a feature-length episode of "Scooby-Doo."- Washington Post
- Posted Aug 16, 2012
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Mark Jenkins
The Awakening is nonsense, but with its posh British cast and colors drained to near-gray, it's very solemn nonsense.- Washington Post
- Posted Aug 16, 2012
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Ann Hornaday
While Sparkle doesn't give the audience a lasting memory of Houston's voice at its most soaring, it does manage to provide a lingering sense of loss, mixed with celebration and grim irony.- Washington Post
- Posted Aug 16, 2012
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Michael O'Sullivan
In the end, what mars "Timothy Green" most is its middle-of-the-road approach. Its appealingly quirky, fairy-tale-like center is so coated with sugar, it cloys. It's not that "Timothy Green" is odd, but that it isn't odd enough.- Washington Post
- Posted Aug 15, 2012
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Ann Hornaday
Celeste and Jesse Forever engages in Bridget Jones-like comedy of mortification, sending its heroine down a path of self-discovery that ultimately seems more cruel than revelatory.- Washington Post
- Posted Aug 9, 2012
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Stephanie Merry
The story and cinematography are gritty, but the portraits of these characters are impressively human.- Washington Post
- Posted Aug 9, 2012
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Mark Jenkins
What's most fascinating are the movie's larger questions about why some people tell impossible lies -- and why others believe them.- Washington Post
- Posted Aug 9, 2012
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Ann Hornaday
With The Bourne Legacy, Gilroy has brought characteristic taste and skill to a nearly impossible task: embracing the past without completely erasing it, thereby creating an invitingly complicated and open-ended future.- Washington Post
- Posted Aug 9, 2012
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Reviewed by
Ann Hornaday
Tends toward the broadest possible takes on slapstick, sophomoric sexuality and post-"Hangover" raunch.- Washington Post
- Posted Aug 9, 2012
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Ann Hornaday
Hope Springs is a minor miracle of a movie. Within a Hollywood tradition accustomed to treating sex as something titillating, taboo, gauzily idealized or downright pornographic, finally someone has made a movie that treats it in the riskiest way possible: as the physical expression of intimacy between two flawed but recognizable adults.- Washington Post
- Posted Aug 7, 2012
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Reviewed by
Michael O'Sullivan
The only artwork by Ai that Klayman's film dwells on at any length -- aside from the iconic "bird's nest" stadium he helped design for the Beijing Olympics, and then denounced as tasteless -- is "Sunflower Seeds." Created for a 2010 exhibition at London's Tate Modern, the installation featured 100 million hand-painted ceramic sunflower seeds spread out on the floor.- Washington Post
- Posted Aug 2, 2012
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Mark Jenkins
The movie is neatly structured, and Rodriguez turns out to be an interesting guy. He's worth getting to know, even if his music isn't.- Washington Post
- Posted Aug 2, 2012
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Mark Jenkins
The action and dialogue find the same squalid level in time for the climactic scene, the cruel humiliation of a central character. That's when sensitive viewers should do what the bloody-minded Joe could never imagine: Walk away from the mess he has made.- Washington Post
- Posted Aug 2, 2012
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Sean O’Connell
It really captures what it feels like to be a kid.- Washington Post
- Posted Aug 2, 2012
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Jen Chaney
So what makes this 2012 Total Recall superior to the Arnie model? For starters, there's an actual actor in the starring role.- Washington Post
- Posted Aug 2, 2012
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Reviewed by
Stephanie Merry
The foreboding and chaos contrast neatly with the lavish costumes and sets. Versailles takes on the feel of a gilded fortress, behind which the serving class hopes to hide. But money can't buy everything, including, in this case, security.- Washington Post
- Posted Jul 26, 2012
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Reviewed by
Sean O’Connell
Considering the clichd storyline and lackluster acting, maybe it's South Beach that deserves top billing on the "Revolution" poster.- Washington Post
- Posted Jul 26, 2012
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Reviewed by
Ann Hornaday
The Queen of Versailles turns out to be a portrait -- appalling, absorbing and improbably affecting -- of how, even within a system seemingly designed to ensure that the rich get richer, sometimes the rich get poorer.- Washington Post
- Posted Jul 26, 2012
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Reviewed by
Ann Hornaday
That Winterbottom has delivered a dud makes Trishna all the more disappointing, a rare unsatisfying swerve from an otherwise reliably provocative career.- Washington Post
- Posted Jul 26, 2012
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Reviewed by
Mark Jenkins
Its brutality is unacceptable to Buddhism and Confucianism yet is increasingly appealing to young men (and women). And in a country that still professes socialism, it's fiercely individualistic. There are no collective work groups in the boxing ring.- Washington Post
- Posted Jul 26, 2012
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Reviewed by
Ann Hornaday
For a movie so bent on skewering illusions, Ruby Sparks ultimately can't entirely let go of its own.- Washington Post
- Posted Jul 26, 2012
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Ann Hornaday
The Watch takes the same ethos of male bonding, obsession with sex and sardonic violence that has proved so profitable in recent years on yet another summer spin. The tires may be in need of changing pretty soon, but for now the jalopy still runs.- Washington Post
- Posted Jul 26, 2012
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It's a story with serious human drama that will make you think a little differently the next time you watch your favorite team take the field.- Washington Post
- Posted Jul 19, 2012
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Reviewed by
Ann Hornaday
Most important, does The Dark Knight Rises achieve the impossible, which is to bring a cherished cinematic chapter to a close, yet manage to leave fans feeling not desolate but cheered? To that all-important question, the answer is an unequivocal yes.- Washington Post
- Posted Jul 17, 2012
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Reviewed by
Ann Hornaday
Maybe the best way to describe Beasts of the Southern Wild is faux-k art. Even Hushpuppy's name suggests an author more interested in the folk- and foodways of a culture-with-a-capital-C than the people who comprise it. Too often, she and her peers are presented as curios to be exhibited rather than as fully realized -- if resolutely un-mythic -- human beings.- Washington Post
- Posted Jul 12, 2012
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