Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Jack Reacher is a wildly ill-advised miscalculation, with Cruise's virtually unstoppable appeal butting uncomfortably against Reacher's alternately cocky and downright crude cynicism.
  2. Overlong, unnecessarily sex-obsessed and downright nasty at times, This Is 40 feels haphazard and unfinished, despite a few moments of laugh-out-loud humor.
  3. The film's title suggests the wry irony of hindsight: We've come a long way, baby, but we're not there yet. Any Day Now could do with a little more of that astringent humor and a little less sap.
  4. The problem with Hyde Park on Hudson isn't its suggestion of FDR's dark side. That complexity, and Murray's spot-on portrayal of a man juggling myriad pressures and demands, from petty to momentous, marks one of the film's greatest strengths. It's that Daisy rarely comes into her own as more than the pliant emotional helpmeet to the Great Man.
  5. It's a bloated, shockingly tedious trudge that manages to look both overproduced and unforgivably cheesy.
  6. There's more waiting than lightning in Waiting for Lightning, a nonetheless watchable-enough documentary about the preparations leading up to professional skateboarder Danny Way's historic 2005 attempt to sail over the Great Wall of China on a skateboard.
  7. There's a powerfully creepy sensibility to Deadfall. But the way it handles the messiness of families -- a universal message given vivid metaphorical life in the blood and guts it leaves in its path -- is finally rewarding.
  8. A dreary, dismally unfunny excuse for a romantic comedy.
  9. It's a grim tale, and Back to 1942 doesn't pretend otherwise.
  10. With grace, discretion and supreme tact, Nicks sweeps viewers to a climactic montage that wordlessly honors the best ways we care for one another. The Waiting Room bears poetic witness to an overlooked fact: America's health care system may be broken, but its people are anything but.
  11. Dull and repetitive, even by the standards of an already repetitive genre.
  12. Killing Them Softly possesses a modicum of swagger and style, even as it perpetuates some of the crime genre's more tedious cliches, from slow-motion savagery to facile cynicism.
  13. For all his creepy tendencies, Hitchcock is portrayed mostly sympathetically in Hitchcock, in which Sir Anthony Hopkins plays the corpulent British auteur with a combination of hauteur and playfulness.
  14. The relationship is the best thing about the film, which otherwise feels hopelessly sad and tawdry.
  15. Ultimately, the problem with this Red Dawn is the same problem with the first one. Despite the more realistic battle scenes, nothing in it feels more fateful than a football game.
  16. Thoughts become things. That's the message of Rise of the Guardians, a charming if slightly dark and cobwebbed animated feature about how believing in something makes it real, or real enough.
  17. Life of Pi is spellbinding while it lasts. Lee's film can be appreciated as many things -- a post-Darwinian meditation on coexistence as the key to survival, a reflection on the spiritual nature of suffering and transcendence, a beguiling bait-and-switch on the vagaries of belief itself.
  18. But even appreciated simply as a little-known chapter of European history, it proves consistently engrossing, edifying and affecting.
  19. Chasing Ice aims to accomplish, with pictures, what all the hot air that has been generated on the subject of global warming hasn't been able to do: make a difference.
  20. While Wright's self-conscious theatricality and dollhouse aesthetic conjure comparisons to Baz Luhrmann and Wes Anderson, he outstrips both those filmmakers in moral seriousness and maturity.
  21. Thankfully, this fractured fairy tale of mental illness, family drama, ragged romance and die-hard Philadelphia Eagles fandom has landed in the superbly capable hands of David O. Russell.
  22. For those with no vested interest in this protracted and supernatural soap opera, but who do care about cinema, The Twilight Saga: Breaking Dawn -- Part 2 will be, unsurprisingly, a silly and somewhat cheesily made waste of time.
  23. Sean Penn makes a striking screen presence in This Must Be the Place, a smart, funny and original road movie by Italian director Paolo Sorrentino ("Il Divo").
  24. An electrifying, confounding, what-the-hell-just-happened exercise in unbounded imagination, unapologetic theatricality, bravura acting and head-over-heels movie-love.
  25. Instead of a grand tableau vivant that lays out the great man and his great deeds like so many too-perfect pieces of waxed fruit, Spielberg brings the leader and viewers down to ground level.
  26. From the first smoky notes of a theme song sung by Adele, it's clear that Skyfall will be both classic and of-the-moment.
  27. A quietly brilliant study in cognitive dissonance, The Flat is a documentary look at Holocaust denial, but not the kind you might think.
  28. Enlightening, inspiring and expertly crafted documentary.
  29. A ripped-from-the-headlines psychological chiller that burrows under the skin with its terrifyingly local twist.
  30. Emphasizes action and eye-popping visuals over emotion.

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