Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
    • 81 Metascore
    • 80 Critic Score
    The Wedding Banquet is being presented as a zany comedy, complete with promotional fortune cookie giveaways in theater lobbies. But it's really a sweet, perceptive story about the cost of deception and the power of family rituals.
    • 95 Metascore
    • 80 Critic Score
    Harrowing and funny, a fine film on its own, "Hearts" leaves us with a new appreciation for the Vietnam War epic it documents.
  1. This fictional documentary's films-in-miniature -- subdued, engaging grace notes that run from 45 seconds to several minutes -- create a subtle, appropriately unconventional portrait of this eccentric man.
  2. Invictus, which features outstanding performances from both its lead actors, succeeds wonderfully on its simplest level, as a portrait of political genius.
  3. By presenting Avatar in 3-D, Cameron is staking his claim and building a fence around his own precious resource, making it unobtainable on any but his own terms to increasingly emboldened and technologically savvy natives.
    • 83 Metascore
    • 75 Critic Score
    The virtues of Crazy Heart only begin with Bridges: Music fans will rejoice at the movie's songs.
    • 85 Metascore
    • 75 Critic Score
    A beguiling little film that, with deceptive restraint and forthrightness, opens up worlds of roiling, contradictory emotions.
  4. Fantastic Mr. Fox imparts lessons as profound as "The Road's" about love and gratitude and awareness of others. It just has more fun doing it.
  5. Shot through with a bold, extravagant generosity of spirit, this journey behind the literal and figurative looking glass marks a gratifying return to form for Gilliam.
  6. How fitting that Firth should carry A Single Man, a movie of quiet but potent emotional power, perfectly suited to his singular gifts.
  7. Grounded in the direct, disarming truth of their experience, the movie has a straightforward lack of cheap sentiment that saves it from being either too maudlin or saccharine-sweet.
  8. For filmgoers whose tastes run to pulp genre frissons, auteurist brio and Nicolas Cage at his most luridly over-the-top, Bad Lieutenant scores a kind of freaky-deaky home run.
    • 76 Metascore
    • 75 Critic Score
    Amid all this dazzling artifice, the film's most authentic source of power comes from its star.
  9. A sumptuous period drama.
  10. Together, under the assured direction of first-time feature filmmaker Oren Moverman, these three actors tell a story that is at once hard-hitting and bizarrely gentle.
  11. It does take half the movie before the story --really kicks in. When it does, it'll knock the air out of you.
    • 81 Metascore
    • 75 Critic Score
    Like a dark-comedy sequel to the masterful German film "The Lives of Others," Corneliu Porumboiu's Police, Adjective gives viewers a penetrating glimpse of surveillance culture, in this case as it plays out in post-communist Romania.
  12. In addition to McKay, Danes makes a sassy, sexy Sonja. And Efron more than gets by in his role as the sweet, plucky, starstruck newbie. It's a part that doesn't require much heavy lifting, though.
  13. At one point, Frank contemplates a wheeled suitcase and infuses in that one moment the sweetness and vulnerability of E.T. See Everybody's Fine, but one piece of advice: Phone home first.
  14. Through vivid archival material and voice-overs, the filmmakers create moving vignettes that, taken together, form a fascinating primer on nonviolence as a political force and discipline.
  15. A tale so raucous, raunchy and punch-drunk with love for the rebellious spirit of rawk -- and so disdainful of those who have tried to squelch it -- that it pretty much negates any claims to objectivity, let alone factuality. In other words, it's not a documentary.
  16. Joins such wonderful recent films as "The Lives of Others" and "The Baader Meinhof Complex" as a clear-eyed portrait of a highly charged chapter in Germany's history, a history that once again proves rewarding fodder for an alert artistic imagination.
    • 71 Metascore
    • 75 Critic Score
    For those who enjoy the shift-in-your-seat kick of seeing emperors caught with their knickers down, however, the squirm factor achieved by the Yes Men out-Borats Sacha Baron Cohen at his most confrontational.
  17. The new Karate Kid brings fresh life and perspective to the classic tale of perseverance and cross-generational friendship, thanks to Harald Zwart's sensitive direction and two exceptionally appealing stars.
  18. This trio of losers somehow forms a kind of loony family. Like the one in "Little Miss Sunshine," which also used the metaphor of a broken-down car to drive home its point, the interpersonal dynamics are out of whack, but not unworkable.
  19. Burton finely balances excess and restraint to create an absorbing, visually rich world of his very own.
  20. It's the rare 2 1/2 -hour film that doesn't make you look at your watch once. The Girl With the Dragon Tattoo is such a film.
  21. A delicate, if slightly smoggy, feeling of regret hangs over Greenberg, a quietly funny portrait of grown-ups growing up.
  22. A soaring, sympathetic ode to the outlaws, subversives and insurgents who occupy the edges of popular culture, making them safe for everyone else's dreams.
  23. The raunchy, guy-centric comedy Hot Tub Time Machine makes a vertiginously high-concept bid to be this year's version of "The Hangover" and darned if it doesn't succeed.

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