For 11,478 reviews, this publication has graded:
-
46% higher than the average critic
-
2% same as the average critic
-
52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
-
Positive: 6,014 out of 11478
-
Mixed: 3,069 out of 11478
-
Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
-
- Critic Score
The Wedding Banquet is being presented as a zany comedy, complete with promotional fortune cookie giveaways in theater lobbies. But it's really a sweet, perceptive story about the cost of deception and the power of family rituals.- Washington Post
- Read full review
-
- Critic Score
Harrowing and funny, a fine film on its own, "Hearts" leaves us with a new appreciation for the Vietnam War epic it documents.- Washington Post
- Read full review
-
-
Reviewed by
Desson Thomson
This fictional documentary's films-in-miniature -- subdued, engaging grace notes that run from 45 seconds to several minutes -- create a subtle, appropriately unconventional portrait of this eccentric man.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Invictus, which features outstanding performances from both its lead actors, succeeds wonderfully on its simplest level, as a portrait of political genius.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
By presenting Avatar in 3-D, Cameron is staking his claim and building a fence around his own precious resource, making it unobtainable on any but his own terms to increasingly emboldened and technologically savvy natives.- Washington Post
- Read full review
-
Reviewed by
-
- Critic Score
The virtues of Crazy Heart only begin with Bridges: Music fans will rejoice at the movie's songs.- Washington Post
- Read full review
-
- Critic Score
A beguiling little film that, with deceptive restraint and forthrightness, opens up worlds of roiling, contradictory emotions.- Washington Post
- Read full review
-
-
Reviewed by
Ann Hornaday
Fantastic Mr. Fox imparts lessons as profound as "The Road's" about love and gratitude and awareness of others. It just has more fun doing it.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Shot through with a bold, extravagant generosity of spirit, this journey behind the literal and figurative looking glass marks a gratifying return to form for Gilliam.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
How fitting that Firth should carry A Single Man, a movie of quiet but potent emotional power, perfectly suited to his singular gifts.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Grounded in the direct, disarming truth of their experience, the movie has a straightforward lack of cheap sentiment that saves it from being either too maudlin or saccharine-sweet.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
For filmgoers whose tastes run to pulp genre frissons, auteurist brio and Nicolas Cage at his most luridly over-the-top, Bad Lieutenant scores a kind of freaky-deaky home run.- Washington Post
- Read full review
-
Reviewed by
-
- Critic Score
Amid all this dazzling artifice, the film's most authentic source of power comes from its star.- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
-
Reviewed by
Michael O'Sullivan
Together, under the assured direction of first-time feature filmmaker Oren Moverman, these three actors tell a story that is at once hard-hitting and bizarrely gentle.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
It does take half the movie before the story --really kicks in. When it does, it'll knock the air out of you.- Washington Post
- Read full review
-
Reviewed by
-
- Critic Score
Like a dark-comedy sequel to the masterful German film "The Lives of Others," Corneliu Porumboiu's Police, Adjective gives viewers a penetrating glimpse of surveillance culture, in this case as it plays out in post-communist Romania.- Washington Post
- Read full review
-
-
Reviewed by
Michael O'Sullivan
In addition to McKay, Danes makes a sassy, sexy Sonja. And Efron more than gets by in his role as the sweet, plucky, starstruck newbie. It's a part that doesn't require much heavy lifting, though.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
At one point, Frank contemplates a wheeled suitcase and infuses in that one moment the sweetness and vulnerability of E.T. See Everybody's Fine, but one piece of advice: Phone home first.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Through vivid archival material and voice-overs, the filmmakers create moving vignettes that, taken together, form a fascinating primer on nonviolence as a political force and discipline.- Washington Post
- Posted May 9, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
A tale so raucous, raunchy and punch-drunk with love for the rebellious spirit of rawk -- and so disdainful of those who have tried to squelch it -- that it pretty much negates any claims to objectivity, let alone factuality. In other words, it's not a documentary.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Joins such wonderful recent films as "The Lives of Others" and "The Baader Meinhof Complex" as a clear-eyed portrait of a highly charged chapter in Germany's history, a history that once again proves rewarding fodder for an alert artistic imagination.- Washington Post
- Read full review
-
Reviewed by
-
- Critic Score
For those who enjoy the shift-in-your-seat kick of seeing emperors caught with their knickers down, however, the squirm factor achieved by the Yes Men out-Borats Sacha Baron Cohen at his most confrontational.- Washington Post
- Read full review
-
-
Reviewed by
Ann Hornaday
The new Karate Kid brings fresh life and perspective to the classic tale of perseverance and cross-generational friendship, thanks to Harald Zwart's sensitive direction and two exceptionally appealing stars.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
This trio of losers somehow forms a kind of loony family. Like the one in "Little Miss Sunshine," which also used the metaphor of a broken-down car to drive home its point, the interpersonal dynamics are out of whack, but not unworkable.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Burton finely balances excess and restraint to create an absorbing, visually rich world of his very own.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
It's the rare 2 1/2 -hour film that doesn't make you look at your watch once. The Girl With the Dragon Tattoo is such a film.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
A delicate, if slightly smoggy, feeling of regret hangs over Greenberg, a quietly funny portrait of grown-ups growing up.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
A soaring, sympathetic ode to the outlaws, subversives and insurgents who occupy the edges of popular culture, making them safe for everyone else's dreams.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
The raunchy, guy-centric comedy Hot Tub Time Machine makes a vertiginously high-concept bid to be this year's version of "The Hangover" and darned if it doesn't succeed.- Washington Post
- Read full review
-
Reviewed by