Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Simon and the Oaks is not merely the story of two boys from opposite sides of the tracks. It's also a larger meditation on life's hardships and what endures: love, art and civilization.
  2. A quietly brilliant study in cognitive dissonance, The Flat is a documentary look at Holocaust denial, but not the kind you might think.
  3. Mud
    This is where a filmmaker’s taste and reflexive sense of balance makes all the difference. Southern culture may be on the skids in Mud, but Nichols’s sensitive portrayal is gratifyingly on the level.
  4. The problem, as “Table” shows, isn’t that the next meal never comes. It’s that when it arrives, too often it is filled with empty calories.
  5. The Reluctant Fundamentalist will likely make some people mad because of the way it holds the United States responsible for the repercussions of its actions in the world. Like Changez himself, the film has a complicated relationship with the superpower.
  6. The warmth that courses through American Hustle makes it irresistible, with Russell’s affection for his characters and his sharp-eyed evocation of their recessionary times, honoring their struggle, however dishonest, rather than denigrating it.
    • 65 Metascore
    • 88 Critic Score
    The documentary also reveals the sisters’ almost symbiotic closeness. They live together most of the year, cook together, do karaoke together and joke about how difficult it would be if one chose to get married.
  7. Here's a science fiction movie where the special effects are in the background. And the effect is, well, rather special.
  8. Part drug comedy, part psychological drama, the movie is slight, but only superficially so. As the closing credits role, we’re left not with a sense of a day at the beach, but of what might be swimming out there, in the dark of the abyss.
  9. The movie confounds at times with its aversion to clearly explaining each relationship and ritual, but ultimately that makes each realization seem more like a new discovery.
  10. It’s a wonder how Cutie and the Boxer, in less than an hour and a half, manages to say so much about love, life and art. Movies twice as long are often half as eloquent.
  11. It’s a movie that’s as fun to watch as it is funny. But the real appeal of Big Hero 6 isn’t its action. It’s the central character’s heart.
  12. He was many things, the documentary reveals, but self-serious was not among the late writer’s lengthy list of descriptors.
    • 86 Metascore
    • 88 Critic Score
    [Director Paolo Sorrentino] collects scenes of superficial extravagance and eccentricity, then finds the deeper yearnings they conceal.
    • 77 Metascore
    • 88 Critic Score
    Gray directs this handsome and evocative film with emotional restraint, making its archetypal title character a living individual whose moral journey is never simple.
  13. The film is a documentary, pure and simple. But the movie, by director Rick Rowley, plays out like something of a murder mystery.
  14. It’s upsetting and scary to watch the footage of orca attacks collected in Blackfish, a damning documentary about the treatment of the animals by marine parks.
  15. In this tale of longing, loss and regret, it isn’t always possible to know who’s deluding oneself, or someone else. But then, it isn’t always possible to know that in real life either.
  16. There’s nothing terribly profound about Chef. But its message — that relationships, like cooking, take a hands-on approach — is a sweet and sustaining one.
  17. Boynton’s most impressive feat in Big Men is how she takes an impossibly convoluted scenario, makes sense of it and tells a story that’s riveting on its own but also serves as a parable about greed and human nature.
  18. It’s surprisingly wise, funny and affecting, thanks in part to a sensitive script, and in part to a strong ensemble cast.
  19. It’s nice to be reminded of what old people look like, since they are, at least in movies these days, ever more invisible.
  20. A compelling, complex, confounding film.
  21. A mesmerizing documentary.
  22. "Him” and “Her” make for a remarkably powerful film experiment, retaining the insights into relationships of “Them” while filling in many of its invisible storytelling fissures.
  23. At its core, this clever, wrenching, profound story underscores the tenacity of faith in the face of unfathomable cruelty. Evil may be good, story-wise. But virtue, at its most tested and tempered, is even better.
  24. With long, quiet takes in which he simply observes Johansson wordlessly taking in the world around her, Glazer infuses the everyday modern world with a surpassing sense of strangeness and doom.
  25. Thrillingly told, compellingly acted and beautifully shot.
  26. In the capable hands of these fine filmmakers and actors, even its most bitter observations about life and aging are nearly always reliably balanced by moments of warmth, understanding and out-and-out screwball humor.
  27. 1,000 Times Good Night has moments of both startling violence and breathtaking beauty.

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