Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The movie isn't exactly providing entertaining escape. In fact, the only escape on your mind is going to be the exit door.
  2. It's not brazenly bad or heroically bad or stridently bad. It's bad in all the old, dull ways of being bad: poor performances, absurd story, dreary special effects, witless dialogue and the excessive length of someone taking himself far too seriously.
  3. Shamelessly manipulative in a crude, bullying way.
  4. A noisy, impenetrable and totally nonsensical cogitation on the nature of firefighters and the sizzling "animal" they love...We just wish somebody would call 911 for boredom.
  5. A meet-cute whimsy set among divorced fifty-somethings in New York, it blunders on toward oblivion, excruciatingly unfunny and pitifully unromantic.
  6. It is the perfect modern product: loud, banal, empty, frenzied, plasticized, flavorless, drab, violent in a bloodless way and sexy in a sexless way.
  7. How bad is it? Let me count just some of the ways.
  8. I watched Mona. I felt like drowning.
  9. 8MM
    In the uncertain zone between dumb and truly twisted lies 8MM, a movie that will baffle and disgust you in one disconcerting experience.
  10. [Gere] seemed to be improvising his way from beginning to end, like he was disgusted with the actual script.
  11. For a suspense drama, Impact is a slack, oddly enervated and mawkish soup of largely lethargic performances.
  12. It's depressing enough to sit through an unfunny comedy, but it's worse to watch Falk, Penn and Berg having to earn a living like this.
  13. Leaden, laugh-free, lacking anything resembling a heart, mind or soul.
  14. A crackpot Looney Tune, pretentious, abysmally slow, amateurishly acted and, above all, wrong.
  15. The gratuitous vulgarity is just one more reason that Scooby-Doo should never have left the pound.
  16. In the end, I'm wondering what's so special about a film that has but one guilty pleasure and that's Ben Kingsley spraying saliva-lubricated variants of the F-word into the atmosphere like anti-aircraft fire for 10 solid minutes.
  17. Chris Farley walks into walls, trips over invisible banana peels and otherwise makes a fat ass of himself in this imbecilic, slapstick adventure from the producers of "Dumb and Dumber."
  18. In this movie, the sense of charm has been obliterated.
  19. Not just a bad thriller but also a thing of pain.
  20. Equilibrium is like a remake of "1984" by someone who's seen "The Matrix" 25 times while eating Twinkies and doing methamphetamines.
  21. Avoid this movie unless a) your child has refused to eat until you take him or her, or b) your house is being fumigated to kill an infestation of mosquitoes with the West Nile virus.
  22. The Godfather Part III isn't just a disappointment, it's a failure of heartbreaking proportions... It makes you wish it had never been made.
  23. The movie is really just an elaborate excuse to show repeated close-ups of an elephantine dog scrotum.
  24. An abominable, abdominal comedy. Aside from its tastelessness and dawdling pace, the movie’s chief problem is the lackluster chemistry between leading lummoxes Jim Carrey and Jeff Daniels.
  25. If you choose to see this puerile tripe, check your dignity at the door.
  26. Definitely stuck in the fourth grade.
  27. So twitchy, fidgety, skittery and wiggly that the drug it made me yearn for was Dramamine, followed by a chaser of bourbon, 12 years old.
  28. There are two distinctive features to the movie: the mind-numbingly banal plot as one chases another who chases another, and all the offensive material.
  29. There's a thin line between some drag comedy and misogyny, and Girls Will Be Girls, a crass comedy in which all the women are played, with over-the-top abandon, by men, roars past that line.
  30. A depraved, incoherent, instantly disposable piece of hackery.

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