Washington Post's Scores

For 11,479 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11479 movie reviews
  1. Meet Joe Black is Hopkins's movie and, despite the film's unnecessary length, his quiet and dignified performance almost carries the ball across the finish line.
  2. The Perrier of dumb-and-dumber movies, an effervescent idiot's delight that burbles from the wellspring of silliness inside star Adam Sandler's head.
  3. Tom Schulman's script is on the sloppy side and offers few surprises; still, it's not entirely bereft of laughs.
  4. Mary Stuart Masterson, a delicate blond, steals the show as the sensitive gal under the tomboy's leather jacket, her natural magnetism offsetting the story's predictability.
  5. An easy-on-the-sensibilities family film, Eddie Murphy practically assumes the easygoing manner of Mister Rogers, a character he used to wickedly lampoon on "Saturday Night Live."
  6. The dazzle doesn't make up, however, for the movie's lack of depth.
  7. While not exactly a cop-out, Virgin may leave some viewers who crave traditional closure with the same hollow ache described by the narrator as follows: "What lingered after them was not life but the most trivial list of mundane facts."
  8. You have a movie in which sharks with triple-digit IQs hunt humans with double-digit IQs. It’s no contest.
  9. There is no evidence of life outside the immediate world of the movie.
  10. Lacks emotional depth and intellectual sincerity.
  11. What we have here is a genuine outlaw work of art.
  12. It is also, despite the all-too-rare focus on the Filipino American community, a creakily familiar take on an age-old family dynamic.
  13. Has its share of arresting images, especially a lovely pas de deux performed in the nude and a dazzling performance of "Le Spectre de la Rose."
  14. It never answers the key question: Why should we care?
  15. Despite this tale's surface sheen and propulsive momentum, it never transports one very far.
  16. Tomorrow is propelled by relentless action. Chase scenes are interrupted not by witty conversation or sexy conquests but by the rattle of machine gun fire.
  17. It's no worse than any number of other cookie-cutter slasher flicks geared for the slightly post-pubescent market.
    • 39 Metascore
    • 60 Critic Score
    Well-made, well-acted but ultimately enervating, this is a respectable effort from Freundlich.
  18. A jaundiced view of litigation, however authentic, is not necessarily the stuff of great drama, even of the legal-thriller variety, which by definition is confined to a claustrophobic courtroom.
  19. In the end, what started off as playful becomes tedious.
  20. It's a grab bag of small delights -- and that includes a workmanlike performance by Toni Collette -- but it never quite amounts to a full load.
  21. It yields surprisingly unspectacular results.
  22. Never feels original, even though it's enjoyable to watch Kevin Spacey, Danny DeVito and newcomer Peter Facinelli going at it with snappy patter.
  23. Some viewers will miss the warmth and boisterous family dynamics of its predecessors.
  24. The direction has a fluid, no-nonsense authority, and the performances by Harris, Phifer and Cam'ron seal the deal.
  25. Director Kevin Rodney Sullivan, a television veteran making his feature film debut, has fluffed up this undemanding material much as one would a pillow. But pillows have their place and so do girlfriend movies.
  26. A prosaic, sexually perverse thriller masquerading as a critical look at military injustice.
  27. It's like a "Saturday Night Live" sketch on a $60 million budget.
  28. A tad preachy and more than a little bit sanctimonious.
  29. Left-wing filmmaker's attempt to call foul on megamedia owner Murdoch's exclamation-point news network.

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