For 11,479 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,015 out of 11479
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Mixed: 3,069 out of 11479
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Negative: 2,395 out of 11479
11479
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael O'Sullivan
Meet Joe Black is Hopkins's movie and, despite the film's unnecessary length, his quiet and dignified performance almost carries the ball across the finish line.- Washington Post
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Rita Kempley
The Perrier of dumb-and-dumber movies, an effervescent idiot's delight that burbles from the wellspring of silliness inside star Adam Sandler's head.- Washington Post
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Reviewed by
Rita Kempley
Tom Schulman's script is on the sloppy side and offers few surprises; still, it's not entirely bereft of laughs.- Washington Post
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Reviewed by
Rita Kempley
Mary Stuart Masterson, a delicate blond, steals the show as the sensitive gal under the tomboy's leather jacket, her natural magnetism offsetting the story's predictability.- Washington Post
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Desson Thomson
An easy-on-the-sensibilities family film, Eddie Murphy practically assumes the easygoing manner of Mister Rogers, a character he used to wickedly lampoon on "Saturday Night Live."- Washington Post
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Rita Kempley
The dazzle doesn't make up, however, for the movie's lack of depth.- Washington Post
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Michael O'Sullivan
While not exactly a cop-out, Virgin may leave some viewers who crave traditional closure with the same hollow ache described by the narrator as follows: "What lingered after them was not life but the most trivial list of mundane facts."- Washington Post
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Stephen Hunter
You have a movie in which sharks with triple-digit IQs hunt humans with double-digit IQs. It’s no contest.- Washington Post
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Desson Thomson
There is no evidence of life outside the immediate world of the movie.- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
It is also, despite the all-too-rare focus on the Filipino American community, a creakily familiar take on an age-old family dynamic.- Washington Post
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Ann Hornaday
Has its share of arresting images, especially a lovely pas de deux performed in the nude and a dazzling performance of "Le Spectre de la Rose."- Washington Post
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- Washington Post
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Michael O'Sullivan
Despite this tale's surface sheen and propulsive momentum, it never transports one very far.- Washington Post
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Rita Kempley
Tomorrow is propelled by relentless action. Chase scenes are interrupted not by witty conversation or sexy conquests but by the rattle of machine gun fire.- Washington Post
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Michael O'Sullivan
It's no worse than any number of other cookie-cutter slasher flicks geared for the slightly post-pubescent market.- Washington Post
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- Critic Score
Well-made, well-acted but ultimately enervating, this is a respectable effort from Freundlich.- Washington Post
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Reviewed by
Michael O'Sullivan
A jaundiced view of litigation, however authentic, is not necessarily the stuff of great drama, even of the legal-thriller variety, which by definition is confined to a claustrophobic courtroom.- Washington Post
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- Washington Post
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Desson Thomson
It's a grab bag of small delights -- and that includes a workmanlike performance by Toni Collette -- but it never quite amounts to a full load.- Washington Post
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- Washington Post
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Desson Thomson
Never feels original, even though it's enjoyable to watch Kevin Spacey, Danny DeVito and newcomer Peter Facinelli going at it with snappy patter.- Washington Post
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Ann Hornaday
Some viewers will miss the warmth and boisterous family dynamics of its predecessors.- Washington Post
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Desson Thomson
The direction has a fluid, no-nonsense authority, and the performances by Harris, Phifer and Cam'ron seal the deal.- Washington Post
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Rita Kempley
Director Kevin Rodney Sullivan, a television veteran making his feature film debut, has fluffed up this undemanding material much as one would a pillow. But pillows have their place and so do girlfriend movies.- Washington Post
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Rita Kempley
A prosaic, sexually perverse thriller masquerading as a critical look at military injustice.- Washington Post
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Stephen Hunter
It's like a "Saturday Night Live" sketch on a $60 million budget.- Washington Post
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Michael O'Sullivan
A tad preachy and more than a little bit sanctimonious.- Washington Post
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Desson Thomson
Left-wing filmmaker's attempt to call foul on megamedia owner Murdoch's exclamation-point news network.- Washington Post
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