Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The kids in Nobody Knows are most decidedly not crazy, and we come to care for them to an almost excruciating degree.
  2. Amusing premise, not-so-amusing execution.
  3. There remains a maddening emptiness where the film's ostensible subject should be.
  4. If there's such a thing as freedom for everyone, Rory's determined to give the prospect its most grueling road test.
  5. This finale turns Assisted Living from fascinating experimental film into something finer.
  6. To watch this movie is to be moved not only by an affecting, warmly spirited yarn, but also by the wisdom that seems to waft to us directly from those snow-capped peaks.
  7. Supremely idiotic.
  8. Jigh class briefly gives way to high camp, which then itself dissipates to an anticlimactic thud.
  9. It plays like a soft-core-porn potboiler left over from the 1970s about a hot vampire chick.
  10. Argentine filmmaker Daniel Burman's shaky-camera, cinema-verite-style dramedy meanders in charming fashion.
  11. The humor's a tad too raunchy for the kids, and the predictable plot won't win over any of the parents.
  12. Has its share of surprises, especially in the performances of its two main players.
  13. In the end Monsieur N. could use a little less cloak-and-dagger and more of what made "The Emperor's New Clothes" work, i.e., heart.
  14. Still breaks the first and only commandment of remakes: Thou shall at the very least do justice to the original, or thou shall not be made at all.
  15. Engaging entertainment and a great work of art.
  16. Covers every cliche in the Hollywood sports movie playbook, but it also makes the routine much more enjoyable than you'd expect.
  17. What it suffers from most is the sense of offhand storytelling that lies halfway between creative laziness and cost-cutting sloppiness.
  18. Although this film about a zebra who aspires to win horse races has a marvelous premise, it slows to a mediocre canter right out of the starting gate.
    • 56 Metascore
    • 50 Critic Score
    Might have gone down as an endearing fable, if only the route to its finale had been less cliched.
  19. An overture to the subject rather than a profound study.
  20. Hampered by Niall Johnson's script, which is often confusing, muddy and ultimately cliche-ridden.
  21. Unfortunately, the more traditionally drawn 2-D human characters are as flat, in every sense of the word, as can be.
  22. Traffics in nearly every trite cliche of the "colorful" South one can think of, from its pseudo-Gothic aesthetic to its overripe dialogue.
  23. It grinds on and on without mercy. You're in the cross hairs. There is no escape. Where is that Secret Service when you need it?
  24. As cinematic storytelling, it works.
  25. Good points aside, In Good Company is a bland, occasionally phlegmatic pastiche of cliches and dull encounters.
  26. Seems like a pretty cool movie -- at least, for a remake of a 1970s Saturday morning TV show.
  27. Not to be missed, if only for an unforgettable leading performance by Kevin Bacon.
  28. The path taken by the film is somewhat labyrinthine and obscure, but it offers enough rewards to counterbalance its frustrations.
  29. Isn't just for music fans. It's more accessible than that, thanks to Joel Schumacher's bright direction and a few storytelling embellishments.
  30. Don't even rent the DVD, it'll only encourage them.
  31. It sweeps over you with blunt, unequivocal conviction.
  32. Never manages to achieve the balance between authenticity and eccentricity.
  33. This vainglorious biopic about Bobby Darin is really about what the '60s pop singer and actor means to Kevin Spacey.
  34. This is high-carb filmmaking at its finest. When it's all over, you'll have a knot in your stomach.
  35. I remained strangely dry-eyed up to the final shot.
  36. So rancid is Brooks's fury that it's clouded his judgment, so that each of his main characters is a stereotype of the most broad-brush, malodorous nature.
  37. We may enjoy watching the spectacles, but we don't much care for, or even have a feeling for, the guy in the cockpit.
    • 62 Metascore
    • 80 Critic Score
    A gem of a movie, all its adversity and wickedness a backdrop for a story about the remarkable resilience of children
  38. The heart of Million Dollar Baby lies in the core relationships among Frankie, Maggie and Scrap, friendships so pure, so genuine, so authentic that it takes actors of Eastwood's, Swank's and Freeman's caliber to sell them in this otherwise cynical world.
  39. About halfway through you'll get an incredible hunger to see a movie.
  40. Hovers frustratingly somewhere between charming and only mildly amusing.
  41. Doesn't just bring you to the edge of the hopeless zone, it takes you right into its homes where the children play.
  42. If ever there was a case for quitting while you're behind, this "Blade" is it -- ready to be buried in a vat of garlic.
  43. The sheer joy of letting go as a tale overwhelms your senses and drives the known world away -- that's the story.
  44. So taken with its own love of cinema, it forgets to lead you down the necessary dramaturgical path to make you fall in love, too.
  45. It's the sick humor that's most appealing about this odd little Danish film.
  46. The whole thing is coarse and vulgar, as it hides its low fascinations behind a scrim of Holocaust piety until it becomes pure kitsch.
  47. Everything is tearful confessions, angry interrogations and breakups. But there's nothing underneath.
  48. Stone's film is a case study in cultural analysis that aims at too much and achieves too little.
  49. Engagement simply disappears inside its own enormous, intricate and ambitious design.
  50. A film about war and reconciliation, is deeply Christian, a study in humility and the moral uncertainty at the core of the Christian message.
  51. Everyone in the film is mean-spirited, manipulative and repulsive, and I'm only talking about the women! The men are much worse, particularly Dan Aykroyd.
  52. Like every other second of more than 10,000 seconds in Alexander, it doesn't engage in the least.
    • 75 Metascore
    • 80 Critic Score
    This quietly odd and hilarious tale is a bit like a Japanese version of the popular BBC comedy series "The Office" or perhaps the "Dilbert" comic strip at its peak.
  53. Its themes of passion, heartbreak and the inexorable passage of time are eternal.
  54. Rated PG, which must stand for "particularly gullible," it's "Raiders of the Lost Ark" for people who slept through American history class.
  55. To watch Bad Education is to revel, along with Almodovar, in the power of cinema to take us on journeys of breathtaking mystery and dimension and beauty.
    • 67 Metascore
    • 70 Critic Score
    An amusing enough romp through his familiar undersea universe.
  56. The true crime is the eight bucks the filmmakers want to steal from you. Best advice: Don't let them get away with it.
  57. One singularly unbecoming character, who should, by rights, forever remain a "singleton."
  58. For all its explosive material, this is a fairly straightforward telling.
  59. You're expected to weep, and perhaps you will weep. But if you do, it's not likely that you'll respect yourself in the morning.
  60. A truly satisfying holiday picture, the kind everyone can enjoy.
  61. A spectacular concert documentary that also gives some fascinating insights into the making of "The Black Album."
  62. Works far better as an idea than its execution; this has to do with the difficulties of making profound statements with limited budgets and technology, and also grappling with the still-growing sensibilities of an emerging writer.
  63. Has a refreshingly original attitude.
    • 49 Metascore
    • 30 Critic Score
    Occasionally amusing, technically lovely but ultimately dated.
    • 90 Metascore
    • 90 Critic Score
    The movie is full of wonderful little touches: Syndrome, the bad guy, is drawn to remind viewers of "Heat Miser" from the classic Christmas cartoon "The Year Without a Santa Claus."
  64. Fairly fascinating little documentary.
    • Washington Post
  65. Although this script starts off with great zest, it's ultimately a disappointment.
  66. Too highbrow for the multiplex and too literal for the hipsters, it's unsatisfying both as gothic camp and serious cinema.
  67. Saw
    But humans who live above ground, including horror fans, will find themselves only fitfully entertained and more consistently appalled.
  68. Ray
    It is to the film's credit -- and Foxx's -- that we are able to see, behind the flash and fury, a man who didn't know how to love, and was so much the lonelier for it.
  69. There's not a false note here, and the entire supporting cast -- is uniformly excellent.
  70. It's just sort of trying.
  71. Davis, who won an Oscar for Best Documentary, may not have agreed with presidents Kennedy, Johnson and Nixon on the war, but he heeded Johnson's call to fight for hearts and minds. His aim was dead on target.
    • 78 Metascore
    • 70 Critic Score
    The movie manages to educate without losing steam.
  72. It's a love letter to the myriad ways, large and small, that mail handlers change lives the world over.
  73. Psychological suspense at its finest.
  74. It's effectively frightening. It's just not the kind of frightening that stays with you very long, unless of course someone decides to make the same movie . . . yet again.
  75. Absolutely awesome in its relentless mediocrity.
  76. There are some very thought-provoking points, and the movie deserves a balanced listening-to.

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